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No. Year Title: Bibliographical Entry Location: Publisher Category: Subcategory
70 1933 Nijinksky

70 Nijinksky [in anonymous collaboration with Romola Nijinsky]. London: Victor Gollancz, 1933. 416 pages. Illustrated. a. Also issued by Ryerson Press, Toronto, 1933. b. Paris: Denoël et Steele, [1934]. Translated by Pierre Dutray, with a preface by Paul Claudel. 425 pages. c. New York: Simon and Schuster, 1934. Foreword by Paul Claudel. xvii, 447 pages. Illustrated. Also issued by Musson Book Company, Toronto, 1934. d. Budapest: Nyugat kiadó és irodalmi, [1935?]. Translated by Lydia Lengyel. 384 pages. Illustrated. e. New York: Garden City Publishing Company, 1941. Reprint of the 1934 Simon and Schuster edition. Also issued by Blue Ribbon Books, Toronto, 1941. f. New York: Grosset & Dunlap, 1960. 460 pages. Also issued by Mayflower Publishing Company, London, 1960. g. New York: Pocket Books, 1972. Foreword by Paul Claudel. 369 pages. Illustrated.

London: Victor Gollancz On Dance
Books
70a 1933 Nijinksky

70 Nijinksky [in anonymous collaboration with Romola Nijinsky]. London: Victor Gollancz, 1933. 416 pages. Illustrated. a. Also issued by Ryerson Press, Toronto, 1933. b. Paris: Denoël et Steele, [1934]. Translated by Pierre Dutray, with a preface by Paul Claudel. 425 pages. c. New York: Simon and Schuster, 1934. Foreword by Paul Claudel. xvii, 447 pages. Illustrated. Also issued by Musson Book Company, Toronto, 1934. d. Budapest: Nyugat kiadó és irodalmi, [1935?]. Translated by Lydia Lengyel. 384 pages. Illustrated. e. New York: Garden City Publishing Company, 1941. Reprint of the 1934 Simon and Schuster edition. Also issued by Blue Ribbon Books, Toronto, 1941. f. New York: Grosset & Dunlap, 1960. 460 pages. Also issued by Mayflower Publishing Company, London, 1960. g. New York: Pocket Books, 1972. Foreword by Paul Claudel. 369 pages. Illustrated.

Toronto: Ryerson Press On Dance
Books
70b 1934 Nijinksky

70 Nijinksky [in anonymous collaboration with Romola Nijinsky]. London: Victor Gollancz, 1933. 416 pages. Illustrated. a. Also issued by Ryerson Press, Toronto, 1933. b. Paris: Denoël et Steele, [1934]. Translated by Pierre Dutray, with a preface by Paul Claudel. 425 pages. c. New York: Simon and Schuster, 1934. Foreword by Paul Claudel. xvii, 447 pages. Illustrated. Also issued by Musson Book Company, Toronto, 1934. d. Budapest: Nyugat kiadó és irodalmi, [1935?]. Translated by Lydia Lengyel. 384 pages. Illustrated. e. New York: Garden City Publishing Company, 1941. Reprint of the 1934 Simon and Schuster edition. Also issued by Blue Ribbon Books, Toronto, 1941. f. New York: Grosset & Dunlap, 1960. 460 pages. Also issued by Mayflower Publishing Company, London, 1960. g. New York: Pocket Books, 1972. Foreword by Paul Claudel. 369 pages. Illustrated.

Paris: Denoël et Steele On Dance
Books
70c1 1934 Nijinksky

70 Nijinksky [in anonymous collaboration with Romola Nijinsky]. London: Victor Gollancz, 1933. 416 pages. Illustrated. a. Also issued by Ryerson Press, Toronto, 1933. b. Paris: Denoël et Steele, [1934]. Translated by Pierre Dutray, with a preface by Paul Claudel. 425 pages. c. New York: Simon and Schuster, 1934. Foreword by Paul Claudel. xvii, 447 pages. Illustrated. Also issued by Musson Book Company, Toronto, 1934. d. Budapest: Nyugat kiadó és irodalmi, [1935?]. Translated by Lydia Lengyel. 384 pages. Illustrated. e. New York: Garden City Publishing Company, 1941. Reprint of the 1934 Simon and Schuster edition. Also issued by Blue Ribbon Books, Toronto, 1941. f. New York: Grosset & Dunlap, 1960. 460 pages. Also issued by Mayflower Publishing Company, London, 1960. g. New York: Pocket Books, 1972. Foreword by Paul Claudel. 369 pages. Illustrated.

New York: Simon and Schuster On Dance
Books
70c2 1934 Nijinksky

70 Nijinksky [in anonymous collaboration with Romola Nijinsky]. London: Victor Gollancz, 1933. 416 pages. Illustrated. a. Also issued by Ryerson Press, Toronto, 1933. b. Paris: Denoël et Steele, [1934]. Translated by Pierre Dutray, with a preface by Paul Claudel. 425 pages. c. New York: Simon and Schuster, 1934. Foreword by Paul Claudel. xvii, 447 pages. Illustrated. Also issued by Musson Book Company, Toronto, 1934. d. Budapest: Nyugat kiadó és irodalmi, [1935?]. Translated by Lydia Lengyel. 384 pages. Illustrated. e. New York: Garden City Publishing Company, 1941. Reprint of the 1934 Simon and Schuster edition. Also issued by Blue Ribbon Books, Toronto, 1941. f. New York: Grosset & Dunlap, 1960. 460 pages. Also issued by Mayflower Publishing Company, London, 1960. g. New York: Pocket Books, 1972. Foreword by Paul Claudel. 369 pages. Illustrated.

Toronto: Musson Book Company On Dance
Books
70d 1935 Nijinksky

70 Nijinksky [in anonymous collaboration with Romola Nijinsky]. London: Victor Gollancz, 1933. 416 pages. Illustrated. a. Also issued by Ryerson Press, Toronto, 1933. b. Paris: Denoël et Steele, [1934]. Translated by Pierre Dutray, with a preface by Paul Claudel. 425 pages. c. New York: Simon and Schuster, 1934. Foreword by Paul Claudel. xvii, 447 pages. Illustrated. Also issued by Musson Book Company, Toronto, 1934. d. Budapest: Nyugat kiadó és irodalmi, [1935?]. Translated by Lydia Lengyel. 384 pages. Illustrated. e. New York: Garden City Publishing Company, 1941. Reprint of the 1934 Simon and Schuster edition. Also issued by Blue Ribbon Books, Toronto, 1941. f. New York: Grosset & Dunlap, 1960. 460 pages. Also issued by Mayflower Publishing Company, London, 1960. g. New York: Pocket Books, 1972. Foreword by Paul Claudel. 369 pages. Illustrated.

Budapest: Nyugat kiadó és irodalmi On Dance
Books
70e1 1941 Nijinksky [reprint of the 1934 Simon and Schuster edition]

70 Nijinksky [in anonymous collaboration with Romola Nijinsky]. London: Victor Gollancz, 1933. 416 pages. Illustrated. a. Also issued by Ryerson Press, Toronto, 1933. b. Paris: Denoël et Steele, [1934]. Translated by Pierre Dutray, with a preface by Paul Claudel. 425 pages. c. New York: Simon and Schuster, 1934. Foreword by Paul Claudel. xvii, 447 pages. Illustrated. Also issued by Musson Book Company, Toronto, 1934. d. Budapest: Nyugat kiadó és irodalmi, [1935?]. Translated by Lydia Lengyel. 384 pages. Illustrated. e. New York: Garden City Publishing Company, 1941. Reprint of the 1934 Simon and Schuster edition. Also issued by Blue Ribbon Books, Toronto, 1941. f. New York: Grosset & Dunlap, 1960. 460 pages. Also issued by Mayflower Publishing Company, London, 1960. g. New York: Pocket Books, 1972. Foreword by Paul Claudel. 369 pages. Illustrated.

New York: Garden City Publishing Company On Dance
Books
70e2 1941 Nijinksky [reprint of the 1934 Simon and Schuster edition]

70 Nijinksky [in anonymous collaboration with Romola Nijinsky]. London: Victor Gollancz, 1933. 416 pages. Illustrated. a. Also issued by Ryerson Press, Toronto, 1933. b. Paris: Denoël et Steele, [1934]. Translated by Pierre Dutray, with a preface by Paul Claudel. 425 pages. c. New York: Simon and Schuster, 1934. Foreword by Paul Claudel. xvii, 447 pages. Illustrated. Also issued by Musson Book Company, Toronto, 1934. d. Budapest: Nyugat kiadó és irodalmi, [1935?]. Translated by Lydia Lengyel. 384 pages. Illustrated. e. New York: Garden City Publishing Company, 1941. Reprint of the 1934 Simon and Schuster edition. Also issued by Blue Ribbon Books, Toronto, 1941. f. New York: Grosset & Dunlap, 1960. 460 pages. Also issued by Mayflower Publishing Company, London, 1960. g. New York: Pocket Books, 1972. Foreword by Paul Claudel. 369 pages. Illustrated.

Toronto: Blue Ribbon Books On Dance
Books
70f1 1960 Nijinksky

70 Nijinksky [in anonymous collaboration with Romola Nijinsky]. London: Victor Gollancz, 1933. 416 pages. Illustrated. a. Also issued by Ryerson Press, Toronto, 1933. b. Paris: Denoël et Steele, [1934]. Translated by Pierre Dutray, with a preface by Paul Claudel. 425 pages. c. New York: Simon and Schuster, 1934. Foreword by Paul Claudel. xvii, 447 pages. Illustrated. Also issued by Musson Book Company, Toronto, 1934. d. Budapest: Nyugat kiadó és irodalmi, [1935?]. Translated by Lydia Lengyel. 384 pages. Illustrated. e. New York: Garden City Publishing Company, 1941. Reprint of the 1934 Simon and Schuster edition. Also issued by Blue Ribbon Books, Toronto, 1941. f. New York: Grosset & Dunlap, 1960. 460 pages. Also issued by Mayflower Publishing Company, London, 1960. g. New York: Pocket Books, 1972. Foreword by Paul Claudel. 369 pages. Illustrated.

New York: Grosset & Dunlap On Dance
Books
70f2 1960 Nijinksky

70 Nijinksky [in anonymous collaboration with Romola Nijinsky]. London: Victor Gollancz, 1933. 416 pages. Illustrated. a. Also issued by Ryerson Press, Toronto, 1933. b. Paris: Denoël et Steele, [1934]. Translated by Pierre Dutray, with a preface by Paul Claudel. 425 pages. c. New York: Simon and Schuster, 1934. Foreword by Paul Claudel. xvii, 447 pages. Illustrated. Also issued by Musson Book Company, Toronto, 1934. d. Budapest: Nyugat kiadó és irodalmi, [1935?]. Translated by Lydia Lengyel. 384 pages. Illustrated. e. New York: Garden City Publishing Company, 1941. Reprint of the 1934 Simon and Schuster edition. Also issued by Blue Ribbon Books, Toronto, 1941. f. New York: Grosset & Dunlap, 1960. 460 pages. Also issued by Mayflower Publishing Company, London, 1960. g. New York: Pocket Books, 1972. Foreword by Paul Claudel. 369 pages. Illustrated.

London: Mayflower Publishing Company On Dance
Books
70g 1972 Nijinksky

70 Nijinksky [in anonymous collaboration with Romola Nijinsky]. London: Victor Gollancz, 1933. 416 pages. Illustrated. a. Also issued by Ryerson Press, Toronto, 1933. b. Paris: Denoël et Steele, [1934]. Translated by Pierre Dutray, with a preface by Paul Claudel. 425 pages. c. New York: Simon and Schuster, 1934. Foreword by Paul Claudel. xvii, 447 pages. Illustrated. Also issued by Musson Book Company, Toronto, 1934. d. Budapest: Nyugat kiadó és irodalmi, [1935?]. Translated by Lydia Lengyel. 384 pages. Illustrated. e. New York: Garden City Publishing Company, 1941. Reprint of the 1934 Simon and Schuster edition. Also issued by Blue Ribbon Books, Toronto, 1941. f. New York: Grosset & Dunlap, 1960. 460 pages. Also issued by Mayflower Publishing Company, London, 1960. g. New York: Pocket Books, 1972. Foreword by Paul Claudel. 369 pages. Illustrated.

New York: Pocket Books On Dance
Books
71 1934 Fokine

71 Fokine. With an introduction by Arnold L. Haskell. London: British-Continental Press, 1934. 67 pages. Illustrated. (The Artists of the Dance, 12) a. Partially reprinted, pages 7–17, in Carnaval, Le Spectre de la Rose and Les Sylphides, by Lincoln Kirstein, Arnold L. Haskell and Stewart Deas. London: The Bodley Head, for the Governors of Sadler's Wells Foundations, 1949. (Sadler's Wells Ballet Books, 4) b. Reprinted by University Microfilms, Ann Arbor, Michigan.

London: British-Continental Press On Dance
Books
71a 1949 Fokine [partially reprinted]

71 Fokine. With an introduction by Arnold L. Haskell. London: British-Continental Press, 1934. 67 pages. Illustrated. (The Artists of the Dance, 12) a. Partially reprinted, pages 7–17, in Carnaval, Le Spectre de la Rose and Les Sylphides, by Lincoln Kirstein, Arnold L. Haskell and Stewart Deas. London: The Bodley Head, for the Governors of Sadler's Wells Foundations, 1949. (Sadler's Wells Ballet Books, 4) b. Reprinted by University Microfilms, Ann Arbor, Michigan.

London: The Bodley Head On Dance
In Books
71b Fokine

71 Fokine. With an introduction by Arnold L. Haskell. London: British-Continental Press, 1934. 67 pages. Illustrated. (The Artists of the Dance, 12) a. Partially reprinted, pages 7–17, in Carnaval, Le Spectre de la Rose and Les Sylphides, by Lincoln Kirstein, Arnold L. Haskell and Stewart Deas. London: The Bodley Head, for the Governors of Sadler's Wells Foundations, 1949. (Sadler's Wells Ballet Books, 4) b. Reprinted by University Microfilms, Ann Arbor, Michigan.

Ann Arbor, Michigan: University Microfilms On Dance
Books
72 1935 Dance: A Short History of Classic Theatrical Dancing

72 Dance: A Short History of Classic Theatrical Dancing. New York: G.P. Putnam's Sons, 1935. ix, 369 pages. Illustrated. a. Reissued with additional material as The Book of the Dance: A Short History of Classic Theatrical Dancing. Garden City, New York: Garden City Publishing Company, 1942. ix, 388 pages. Illustrated. Also issued by Blue Ribbon Books, Toronto, 1942. b. Reissued with further additional material as Dance: A Short History of Classic Theatrical Dancing. Brooklyn: Dance Horizons, 1969. xi, 398 pages. Illustrated. c. Dance: A Short History of Classic Theatrical Dancing. Westport, Connecticut: Greenwood Press, 1970. Reprint of the 1935 Putnam's edition. d. Reissued as “Anniversary edition,” with an appreciation by Nancy Reynolds. Princeton, New Jersey: Princeton Book Company, 1987. xi, 398 pages. Illustrated. (A Dance Horizons Book)

New York: G.P. Putnam's Sons On Dance
Books
72a1 1942 The Book of the Dance: A Short History of Classic Theatrical Dancing

72 Dance: A Short History of Classic Theatrical Dancing. New York: G.P. Putnam's Sons, 1935. ix, 369 pages. Illustrated. a. Reissued with additional material as The Book of the Dance: A Short History of Classic Theatrical Dancing. Garden City, New York: Garden City Publishing Company, 1942. ix, 388 pages. Illustrated. Also issued by Blue Ribbon Books, Toronto, 1942. b. Reissued with further additional material as Dance: A Short History of Classic Theatrical Dancing. Brooklyn: Dance Horizons, 1969. xi, 398 pages. Illustrated. c. Dance: A Short History of Classic Theatrical Dancing. Westport, Connecticut: Greenwood Press, 1970. Reprint of the 1935 Putnam's edition. d. Reissued as “Anniversary edition,” with an appreciation by Nancy Reynolds. Princeton, New Jersey: Princeton Book Company, 1987. xi, 398 pages. Illustrated. (A Dance Horizons Book)

Garden City, New York: Garden City Publishing Company On Dance
Books
72a2 1942 The Book of the Dance: A Short History of Classic Theatrical Dancing

72 Dance: A Short History of Classic Theatrical Dancing. New York: G.P. Putnam's Sons, 1935. ix, 369 pages. Illustrated. a. Reissued with additional material as The Book of the Dance: A Short History of Classic Theatrical Dancing. Garden City, New York: Garden City Publishing Company, 1942. ix, 388 pages. Illustrated. Also issued by Blue Ribbon Books, Toronto, 1942. b. Reissued with further additional material as Dance: A Short History of Classic Theatrical Dancing. Brooklyn: Dance Horizons, 1969. xi, 398 pages. Illustrated. c. Dance: A Short History of Classic Theatrical Dancing. Westport, Connecticut: Greenwood Press, 1970. Reprint of the 1935 Putnam's edition. d. Reissued as “Anniversary edition,” with an appreciation by Nancy Reynolds. Princeton, New Jersey: Princeton Book Company, 1987. xi, 398 pages. Illustrated. (A Dance Horizons Book)  

Toronto: Blue Ribbon Books On Dance
Books
72b 1969 Dance: A Short History of Classic Theatrical Dancing

72 Dance: A Short History of Classic Theatrical Dancing. New York: G.P. Putnam's Sons, 1935. ix, 369 pages. Illustrated. a. Reissued with additional material as The Book of the Dance: A Short History of Classic Theatrical Dancing. Garden City, New York: Garden City Publishing Company, 1942. ix, 388 pages. Illustrated. Also issued by Blue Ribbon Books, Toronto, 1942. b. Reissued with further additional material as Dance: A Short History of Classic Theatrical Dancing. Brooklyn: Dance Horizons, 1969. xi, 398 pages. Illustrated. c. Dance: A Short History of Classic Theatrical Dancing. Westport, Connecticut: Greenwood Press, 1970. Reprint of the 1935 Putnam's edition. d. Reissued as “Anniversary edition,” with an appreciation by Nancy Reynolds. Princeton, New Jersey: Princeton Book Company, 1987. xi, 398 pages. Illustrated. (A Dance Horizons Book)

Brooklyn: Dance Horizons On Dance
Books
72c 1970 Dance: A Short History of Classic Theatrical Dancing [reprint of the 1935 Putnam's edition]

72 Dance: A Short History of Classic Theatrical Dancing. New York: G.P. Putnam's Sons, 1935. ix, 369 pages. Illustrated. a. Reissued with additional material as The Book of the Dance: A Short History of Classic Theatrical Dancing. Garden City, New York: Garden City Publishing Company, 1942. ix, 388 pages. Illustrated. Also issued by Blue Ribbon Books, Toronto, 1942. b. Reissued with further additional material as Dance: A Short History of Classic Theatrical Dancing. Brooklyn: Dance Horizons, 1969. xi, 398 pages. Illustrated. c. Dance: A Short History of Classic Theatrical Dancing. Westport, Connecticut: Greenwood Press, 1970. Reprint of the 1935 Putnam's edition. d. Reissued as “Anniversary edition,” with an appreciation by Nancy Reynolds. Princeton, New Jersey: Princeton Book Company, 1987. xi, 398 pages. Illustrated. (A Dance Horizons Book)

Westport, Connecticut: Greenwood Press On Dance
Books
72d 1987 Dance: A Short History of Classic Theatrical Dancing [reissued as “Anniversary edition”]

72 Dance: A Short History of Classic Theatrical Dancing. New York: G.P. Putnam's Sons, 1935. ix, 369 pages. Illustrated. a. Reissued with additional material as The Book of the Dance: A Short History of Classic Theatrical Dancing. Garden City, New York: Garden City Publishing Company, 1942. ix, 388 pages. Illustrated. Also issued by Blue Ribbon Books, Toronto, 1942. b. Reissued with further additional material as Dance: A Short History of Classic Theatrical Dancing. Brooklyn: Dance Horizons, 1969. xi, 398 pages. Illustrated. c. Dance: A Short History of Classic Theatrical Dancing. Westport, Connecticut: Greenwood Press, 1970. Reprint of the 1935 Putnam's edition. d. Reissued as “Anniversary edition,” with an appreciation by Nancy Reynolds. Princeton, New Jersey: Princeton Book Company, 1987. xi, 398 pages. Illustrated. (A Dance Horizons Book)

Princeton, New Jersey: Princeton Book Company On Dance
Books
73 1938 Blast at Ballet: A Corrective for the American Audience

73 Blast at Ballet: A Corrective for the American Audience. New York: [privately published by Lincoln Kirstein], 1938. 128 pages. a. Reprinted in Three Pamphlets Collected (77). b. Reprinted by University Microfilms, Ann Arbor, Michigan.

New York: [privately published by Lincoln Kirstein] On Dance
Books
73a 1967 Blast at Ballet: A Corrective for the American Audience

73 Blast at Ballet: A Corrective for the American Audience. New York: [privately published by Lincoln Kirstein], 1938. 128 pages. a. Reprinted in Three Pamphlets Collected (77). b. Reprinted by University Microfilms, Ann Arbor, Michigan.

Brooklyn: Dance Horizons On Dance
In Books
73b Blast at Ballet: A Corrective for the American Audience

73 Blast at Ballet: A Corrective for the American Audience. New York: [privately published by Lincoln Kirstein], 1938. 128 pages. a. Reprinted in Three Pamphlets Collected (77). b. Reprinted by University Microfilms, Ann Arbor, Michigan.

Ann Arbor, Michigan: University Microfilms On Dance
Books
74 1939 Ballet Alphabet: A Primer for Laymen

74 Ballet Alphabet: A Primer for Laymen. With drawings by Paul Cadmus. New York: Kamin Publishers, 1939. 71 pages. a. Reprinted in Three Pamphlets Collected (77).

New York: Kamin Publishers On Dance
Books
74a 1967 Ballet Alphabet: A Primer for Laymen

74 Ballet Alphabet: A Primer for Laymen. With drawings by Paul Cadmus. New York: Kamin Publishers, 1939. 71 pages. a. Reprinted in Three Pamphlets Collected (77).

Brooklyn: Dance Horizons On Dance
In Books
75 1959 What Ballet Is about: An American Glossary

75 What Ballet Is about: An American Glossary. With a portfolio of photographs of the New York City Ballet by Martha Swope. Brooklyn: Dance Perspectives, 1959. 80 pages. (Dance Perspectives, 1) a. Reprinted (without photographs) in Three Pamphlets Collected (77). b. Reprinted by Johnson Reprint Corporation, New York, 1970.

Brooklyn: Dance Perspectives On Dance
Books
75a 1967 What Ballet Is about: An American Glossary

75 What Ballet Is about: An American Glossary. With a portfolio of photographs of the New York City Ballet by Martha Swope. Brooklyn: Dance Perspectives, 1959. 80 pages. (Dance Perspectives, 1) a. Reprinted (without photographs) in Three Pamphlets Collected (77). b. Reprinted by Johnson Reprint Corporation, New York, 1970.

Brooklyn: Dance Horizons On Dance
In Books
75b 1970 What Ballet Is about: An American Glossary

75 What Ballet Is about: An American Glossary. With a portfolio of photographs of the New York City Ballet by Martha Swope. Brooklyn: Dance Perspectives, 1959. 80 pages. (Dance Perspectives, 1) a. Reprinted (without photographs) in Three Pamphlets Collected (77). b. Reprinted by Johnson Reprint Corporation, New York, 1970.

New York: Johnson Reprint Corporation On Dance
Books
76 1959 Gagaku: The Music and Dances of the Japanese Imperial Household

76 Gagaku: The Music and Dances of the Japanese Imperial Household. Edited and with an introduction by Lincoln Kirstein. Text by Robert Garfias; calligraphy by Yasuhide Kobashi. New York: Theatre Arts Books, 1959. [40] pages. Illustrated. a. Reprinted as “Foreword to Gagaku,” pages 107–110, in Ballet: Bias & Belief (83). b. Reprinted as “Gagaku,” pages [187]–191, in By With To & From (568).

New York: Theatre Arts Books On Dance
Books
76a 1983 “Foreword to Gagaku

76 Gagaku: The Music and Dances of the Japanese Imperial Household. Edited and with an introduction by Lincoln Kirstein. Text by Robert Garfias; calligraphy by Yasuhide Kobashi. New York: Theatre Arts Books, 1959. [40] pages. Illustrated. a. Reprinted as “Foreword to Gagaku,” pages 107–110, in Ballet: Bias & Belief (83). b. Reprinted as “Gagaku,” pages [187]–191, in By With To & From (568).

[Brooklyn] New York: Dance Horizons On Dance
In Books
76b 1991 “Gagaku”

76 Gagaku: The Music and Dances of the Japanese Imperial Household. Edited and with an introduction by Lincoln Kirstein. Text by Robert Garfias; calligraphy by Yasuhide Kobashi. New York: Theatre Arts Books, 1959. [40] pages. Illustrated. a. Reprinted as “Foreword to Gagaku,” pages 107–110, in Ballet: Bias & Belief (83). b. Reprinted as “Gagaku,” pages [187]–191, in By With To & From (568).

New York: Farrar, Straus & Giroux On Dance
In Books
77 1967 Three Pamphlets Collected: Blast at Ballet, 1937 [i.e., 1938]; Ballet Alphabet, 1939; What Ballet is All about [sic], 1959

77 Three Pamphlets Collected: Blast at Ballet, 1937 [i.e., 1938]; Ballet Alphabet, 1939; What Ballet is All about [sic], 1959. With a new foreword. Brooklyn: Dance Horizons, 1967. Original paginations retained. (Dance Horizons Republication, 9) a. Reprinted, pages 157–434, in Ballet: Bias & Belief (83).

Brooklyn: Dance Horizons On Dance
Books
77a 1983 Three Pamphlets Collected: Blast at Ballet, 1937 [i.e., 1938]; Ballet Alphabet, 1939; What Ballet is All about [sic], 1959

77 Three Pamphlets Collected: Blast at Ballet, 1937 [i.e., 1938]; Ballet Alphabet, 1939; What Ballet is All about [sic], 1959. With a new foreword. Brooklyn: Dance Horizons, 1967. Original paginations retained. (Dance Horizons Republication, 9) a. Reprinted, pages 157–434, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
78 1970 Movement & Metaphor: Four Centuries of Ballet

78 Movement & Metaphor: Four Centuries of Ballet. New York and Washington: Praeger Publishers, 1970. viii, 290 pages. Illustrated. a. Also issued by Pitman, London, 1971. b. Reissued as Four Centuries of Ballet: Fifty Masterworks. New York: Dover, 1984. vii, 290 pages. Illustrated.

New York and Washington: Praeger Publishers On Dance
Books
78a 1971 Movement & Metaphor: Four Centuries of Ballet

78 Movement & Metaphor: Four Centuries of Ballet. New York and Washington: Praeger Publishers, 1970. viii, 290 pages. Illustrated. a. Also issued by Pitman, London, 1971. b. Reissued as Four Centuries of Ballet: Fifty Masterworks. New York: Dover, 1984. vii, 290 pages. Illustrated.

London: Pitman On Dance
Books
78b 1984 Four Centuries of Ballet: Fifty Masterworks

78 Movement & Metaphor: Four Centuries of Ballet. New York and Washington: Praeger Publishers, 1970. viii, 290 pages. Illustrated. a. Also issued by Pitman, London, 1971. b. Reissued as Four Centuries of Ballet: Fifty Masterworks. New York: Dover, 1984. vii, 290 pages. Illustrated.

New York: Dover On Dance
Books
79 1973 The New York City Ballet

79 The New York City Ballet. With photographs by Martha Swope and George Platt Lynes. New York: Alfred A. Knopf, 1973. 261 pages. a. Also issued by A. & C. Black, London, 1974. b. Reissued (without photographs), with text expanded to cover 1973–1978 in celebration of the company's 30th anniversary, as Thirty Years: Lincoln Kirstein's “The New York City Ballet.” New York: Alfred A. Knopf, 1978. xvi, 398 pages.

New York: Alfred A. Knopf On Dance
Books
79a 1974 The New York City Ballet

79 The New York City Ballet. With photographs by Martha Swope and George Platt Lynes. New York: Alfred A. Knopf, 1973. 261 pages. a. Also issued by A. & C. Black, London, 1974. b. Reissued (without photographs), with text expanded to cover 1973–1978 in celebration of the company's 30th anniversary, as Thirty Years: Lincoln Kirstein's “The New York City Ballet.” New York: Alfred A. Knopf, 1978. xvi, 398 pages.

London: A. & C. Black On Dance
Books
79b 1978 Thirty Years: Lincoln Kirstein's “The New York City Ballet”

79 The New York City Ballet. With photographs by Martha Swope and George Platt Lynes. New York: Alfred A. Knopf, 1973. 261 pages. a. Also issued by A. & C. Black, London, 1974. b. Reissued (without photographs), with text expanded to cover 1973–1978 in celebration of the company's 30th anniversary, as Thirty Years: Lincoln Kirstein's “The New York City Ballet.” New York: Alfred A. Knopf, 1978. xvi, 398 pages.

New York: Alfred A. Knopf On Dance
Books
80 1973 For John Martin: Entries from an Early Diary

80 For John Martin: Entries from an Early Diary [June–August, 1933]. New York: Dance Perspectives Foundation, 1973. 56 pages. Illustrated. (Dance Perspectives, 54) a. Reprinted as "From an Early Diary," pages [130]–158, in By With To & From (568).

New York: Dance Perspectives Foundation On Dance
Books
80a 1991 "From an Early Diary"

80 For John Martin: Entries from an Early Diary [June–August, 1933]. New York: Dance Perspectives Foundation, 1973. 56 pages. Illustrated. (Dance Perspectives, 54) a. Reprinted as "From an Early Diary," pages [130]–158, in By With To & From (568).

New York: Farrar, Straus & Giroux On Dance
In Books
81 1975 Nijinsky Dancing

81 Nijinsky Dancing. With photographs by Bert, de Meyer, Druet, Roosen, White, and others; and essays by Jacques Rivière and Edwin Denby. New York: Alfred A. Knopf, 1975. 177 pages. a. Also issued by Thames and Hudson, London, 1975. b. “Michael Fokine: One Hundred Years,” included in Nijinsky Dancing, reprinted, pages 40–45, in About the House 5:11 (Spring 1980).

New York: Alfred A. Knopf On Dance
Books
81a 1975 Nijinsky Dancing

81 Nijinsky Dancing. With photographs by Bert, de Meyer, Druet, Roosen, White, and others; and essays by Jacques Rivière and Edwin Denby. New York: Alfred A. Knopf, 1975. 177 pages. a. Also issued by Thames and Hudson, London, 1975. b. “Michael Fokine: One Hundred Years,” included in Nijinsky Dancing, reprinted, pages 40–45, in About the House 5:11 (Spring 1980).

London: Thames and Hudson On Dance
Books
81b 1980 “Michael Fokine: One Hundred Years”

81 Nijinsky Dancing. With photographs by Bert, de Meyer, Druet, Roosen, White, and others; and essays by Jacques Rivière and Edwin Denby. New York: Alfred A. Knopf, 1975. 177 pages. a. Also issued by Thames and Hudson, London, 1975. b. “Michael Fokine: One Hundred Years,” included in Nijinsky Dancing, reprinted, pages 40–45, in About the House 5:11 (Spring 1980).

About the House On Dance
Program and Other Notes
82 1977 Union Jack

82 Union Jack. Edited and with texts by Lincoln Kirstein; photographs by Martha Swope and Richard Benson. New York: Eakins Press Foundation, 1977. 107 pages.

New York: Eakins Press Foundation On Dance
Books
83 1983 Ballet: Bias & Belief [—] Three Pamphlets Collected and Other Dance Writings of Lincoln Kirstein

83 Ballet: Bias & Belief [—] Three Pamphlets Collected and Other Dance Writings of Lincoln Kirstein. With a new preface by Lincoln Kirstein and introduction and comments by Nancy Reynolds. [Brooklyn] New York: Dance Horizons, 1983. xviii, 458 pages. Illustrated.

[Brooklyn] New York: Dance Horizons On Dance
Books
84 1984 Portrait of Mr. B: Photographs of George Balanchine with an essay by Lincoln Kirstein

84 Portrait of Mr. B: Photographs of George Balanchine with an essay by Lincoln Kirstein. Additional material by Peter Martins, Edwin Denby, and Jonathan Cott. New York: Viking, 1984. 154 pages. Illustrated. (A Ballet Society Book). a. "A Ballet Master's Belief" (For Father Adrian), essay reprinted, pages [198]–219, in By With To & From (568).

New York: Viking On Dance
Books
84a 1991 "A Ballet Master's Belief" (For Father Adrian)

84 Portrait of Mr. B: Photographs of George Balanchine with an essay by Lincoln Kirstein. Additional material by Peter Martins, Edwin Denby, and Jonathan Cott. New York: Viking, 1984. 154 pages. Illustrated. (A Ballet Society Book). a. "A Ballet Master's Belief" (For Father Adrian), essay reprinted, pages [198]–219, in By With To & From (568).

New York: Farrar, Straus & Giroux On Dance
In Books
86 1937 “Kirstein 1937” [on Martha Graham]

86 “Kirstein 1937” [on Martha Graham]. Pages 23–33 in Martha Graham, edited by Merle Armitage. Los Angeles: [Merle Armitage], 1937. a. Reprinted as “Martha Graham,” pages 47–52, in Ballet: Bias & Belief (83).

Los Angeles: [Merle Armitage] On Dance
In Books
86a 1983 “Martha Graham”

86 “Kirstein 1937” [on Martha Graham]. Pages 23–33 in Martha Graham, edited by Merle Armitage. Los Angeles: [Merle Armitage], 1937. a. Reprinted as “Martha Graham,” pages 47–52, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
87 1939 “Ballet and Music”

87 “Ballet and Music.” Pages 108–118 in The International Cyclopedia of Music and Musicians, edited by Oscar Thompson. New York: Dodd, Mead, 1939 and subsequent editions. a. Reprinted, pages 298–317, in The Music Lover's Handbook, edited by Elie Siegmeister. New York: William Morrow, 1943.

New York: Dodd, Mead On Dance
In Books
87a 1943 “Ballet and Music”

87 “Ballet and Music.” Pages 108–118 in The International Cyclopedia of Music and Musicians, edited by Oscar Thompson. New York: Dodd, Mead, 1939 and subsequent editions. a. Reprinted, pages 298–317, in The Music Lover's Handbook, edited by Elie Siegmeister. New York: William Morrow, 1943.

New York: William Morrow On Dance
In Books
88 1947 “Achievement”

88 “Achievement.” Page 9 in [The Year Book of] The Ballet Society: 1946–1947. New York: Ballet Society, 1947.

New York: Ballet Society On Dance
In Books
89 1949 “Foreword”

89 “Foreword.” Pages ix–x in The Dance Encyclopedia, compiled and edited by Anatole Chujoy. New York: A.S. Barnes, 1949.

New York: A.S. Barnes On Dance
In Books
90 1952 “The Classic Ballet: Historical Development”

90 “The Classic Ballet: Historical Development.” Pages 3–17 in The Classic Ballet: Basic Technique and Terminology, by Muriel Stuart. New York: Alfred A. Knopf, 1952. a. Also issued by McClelland & Stewart, Toronto, 1952. b. Also issued by Longmans, Green, London, 1953. Reissued by A. & C. Black, London, 1977. c. Pages 1–18 in Kurashikku Baree [Japanese translation by R. Matsumoto and K. Mori]. Tokyo: Ongaku no Yusha, 1967. d. Reprinted, pages 97–106, in Ballet: Bias & Belief (83).

New York: Alfred A. Knopf On Dance
In Books
90a 1952 “The Classic Ballet: Historical Development”

90 “The Classic Ballet: Historical Development.” Pages 3–17 in The Classic Ballet: Basic Technique and Terminology, by Muriel Stuart. New York: Alfred A. Knopf, 1952. a. Also issued by McClelland & Stewart, Toronto, 1952. b. Also issued by Longmans, Green, London, 1953. Reissued by A. & C. Black, London, 1977. c. Pages 1–18 in Kurashikku Baree [Japanese translation by R. Matsumoto and K. Mori]. Tokyo: Ongaku no Yusha, 1967. d. Reprinted, pages 97–106, in Ballet: Bias & Belief (83).

Toronto: McClelland & Stewart On Dance
In Books
90b1 1953 “The Classic Ballet: Historical Development”

90 “The Classic Ballet: Historical Development.” Pages 3–17 in The Classic Ballet: Basic Technique and Terminology, by Muriel Stuart. New York: Alfred A. Knopf, 1952. a. Also issued by McClelland & Stewart, Toronto, 1952. b. Also issued by Longmans, Green, London, 1953. Reissued by A. & C. Black, London, 1977. c. Pages 1–18 in Kurashikku Baree [Japanese translation by R. Matsumoto and K. Mori]. Tokyo: Ongaku no Yusha, 1967. d. Reprinted, pages 97–106, in Ballet: Bias & Belief (83).

London: Longmans, Green On Dance
In Books
90c 1967 “The Classic Ballet: Historical Development”

90 “The Classic Ballet: Historical Development.” Pages 3–17 in The Classic Ballet: Basic Technique and Terminology, by Muriel Stuart. New York: Alfred A. Knopf, 1952. a. Also issued by McClelland & Stewart, Toronto, 1952. b. Also issued by Longmans, Green, London, 1953. Reissued by A. & C. Black, London, 1977. c. Pages 1–18 in Kurashikku Baree [Japanese translation by R. Matsumoto and K. Mori]. Tokyo: Ongaku no Yusha, 1967. d. Reprinted, pages 97–106, in Ballet: Bias & Belief (83).

Tokyo: Ongaku no Yusha On Dance
In Books
90b2 1977 “The Classic Ballet: Historical Development”

90 “The Classic Ballet: Historical Development.” Pages 3–17 in The Classic Ballet: Basic Technique and Terminology, by Muriel Stuart. New York: Alfred A. Knopf, 1952. a. Also issued by McClelland & Stewart, Toronto, 1952. b. Also issued by Longmans, Green, London, 1953. Reissued by A. & C. Black, London, 1977. c. Pages 1–18 in Kurashikku Baree [Japanese translation by R. Matsumoto and K. Mori]. Tokyo: Ongaku no Yusha, 1967. d. Reprinted, pages 97–106, in Ballet: Bias & Belief (83).


London: A. & C. Black On Dance
In Books
90d 1983 “The Classic Ballet: Historical Development”

90 “The Classic Ballet: Historical Development.” Pages 3–17 in The Classic Ballet: Basic Technique and Terminology, by Muriel Stuart. New York: Alfred A. Knopf, 1952. a. Also issued by McClelland & Stewart, Toronto, 1952. b. Also issued by Longmans, Green, London, 1953. Reissued by A. & C. Black, London, 1977. c. Pages 1–18 in Kurashikku Baree [Japanese translation by R. Matsumoto and K. Mori]. Tokyo: Ongaku no Yusha, 1967. d. Reprinted, pages 97–106, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
91 1953 “Alec: or, the Future of Choreography”

91 “Alec: or, the Future of Choreography.” Pages 41–53 in Dance News Annual [1]: 1953, edited by Winthrop Palmer and Anatole Chujoy. New York: Alfred A. Knopf, 1953. a. Reprinted, pages 97–106, in Ballet: Bias & Belief (83).

New York: Alfred A. Knopf On Dance
In Books
91a 1983 “Alec: or, the Future of Choreography”

91 “Alec: or, the Future of Choreography.” Pages 41–53 in Dance News Annual [1]: 1953, edited by Winthrop Palmer and Anatole Chujoy. New York: Alfred A. Knopf, 1953. a. Reprinted, pages 97–106, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
92 1958 “The Ballet in Hartford”

92 “The Ballet in Hartford.” Pages 63–74 in A. Everett Austin, Jr.: A Director's Taste and Achievement. Hartford, Connecticut: Wadsworth Atheneum, 1958.

Hartford, Connecticut: Wadsworth Atheneum On Dance
In Books
93 1967 “Introduction”

93 “Introduction.” Pages vii–viii in The Dance Encyclopedia, revised and enlarged edition, compiled and edited by Anatole Chujoy and P.W. Manchester. New York: Simon and Schuster, 1967.

New York: Simon and Schuster On Dance
In Books
94 1974 “The New York City Ballet”

94 “The New York City Ballet.” Pages 6–18 in Ballet & Modern Dance. London: Octopus Books, 1974. Illustrated.

London: Octopus Books On Dance
In Books
95 1974 “Delibes and Coppélia

95 “Delibes and Coppélia.” Pages 26–29 in Coppélia, text by Nancy Goldner and Lincoln Kirstein; photographs by Richard Benson. New York: Eakins Press Foundation, 1974.

New York: Eakins Press Foundation On Dance
In Books
96 1975 [Excerpts from 1971 correspondence with James Klosty]

96 [Excerpts from 1971 correspondence with James Klosty.] Pages 89–90 in Merce Cunningham, edited with photographs and an introduction by James Klosty. New York: Saturday Review Press/E.P. Dutton, 1975.

New York: Saturday Review Press/E.P. Dutton On Dance
In Books
97 1975 “Introduction”

97 “Introduction.” Pages 5–9 in The Nutcracker: The Story of the New York City Ballet's Production Told in Pictures by Martha Swope, edited by Nancy Lassalle. New York: Dodd, Mead, 1975. a. Partially reprinted, pages [3–4, 12], in Playbill (New York State Theater issue, Dec. 4, 1975–Jan. 4, 1976) [program]. New York: American Theatre Press, 1975–1976. Illustrated.

New York: Dodd, Mead On Dance
In Books
97a 1975 “Introduction” [partially reprinted]

97 “Introduction.” Pages 5–9 in The Nutcracker: The Story of the New York City Ballet's Production Told in Pictures by Martha Swope, edited by Nancy Lassalle. New York: Dodd, Mead, 1975. a. Partially reprinted, pages [3–4, 12], in Playbill (New York State Theater issue, Dec. 4, 1975–Jan. 4, 1976) [program]. New York: American Theatre Press, 1975–1976. Illustrated.

New York: American Theatre Press On Dance
Program and Other Notes
98 1977 “Introduction”

98 “Introduction.” Pages 5–7 in A Midsummer Night's Dream: The Story of the New York City Ballet's Production Told in Photographs by Martha Swope, edited by Nancy Lassalle. New York: Dodd, Mead, 1977.

New York: Dodd, Mead On Dance
In Books
99 1977 “Rationale of a Repertory”

99 “Rationale of a Repertory.” Pages 1–12 in Repertory in Review: 40 Years of the New York City Ballet, by Nancy Reynolds. New York: Dial Press, 1977.

New York: Dial Press On Dance
In Books
100 1978 “The Performing Arts and Our Egregious Elite”

100 “The Performing Arts and Our Egregious Elite.” Pages 181–197 in The Performing Arts and American Society, edited by W. McNeil Lowry. Papers prepared for the fifty-third American Assembly. Englewood Cliffs, New Jersey: Prentice-Hall, 1978. a. Reprinted, pages 35–39, in About the House 6:4 (Christmas 1981). b. Reprinted, pages 133–146, in Ballet: Bias & Belief (83).

Englewood Cliffs, New Jersey: Prentice-Hall On Dance
In Books
100a 1981 “The Performing Arts and Our Egregious Elite”

100 “The Performing Arts and Our Egregious Elite.” Pages 181–197 in The Performing Arts and American Society, edited by W. McNeil Lowry. Papers prepared for the fifty-third American Assembly. Englewood Cliffs, New Jersey: Prentice-Hall, 1978. a. Reprinted, pages 35–39, in About the House 6:4 (Christmas 1981). b. Reprinted, pages 133–146, in Ballet: Bias & Belief (83).

About the House On Dance
Program and Other Notes
100b 1983 “The Performing Arts and Our Egregious Elite”

100 “The Performing Arts and Our Egregious Elite.” Pages 181–197 in The Performing Arts and American Society, edited by W. McNeil Lowry. Papers prepared for the fifty-third American Assembly. Englewood Cliffs, New Jersey: Prentice-Hall, 1978. a. Reprinted, pages 35–39, in About the House 6:4 (Christmas 1981). b. Reprinted, pages 133–146, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
101 1982 “Foreword”

101 “Foreword.” Pages [i–iii] in Leap Year: A Year in the Life of a Dancer, by Christopher d'Amboise. Garden City, New York: Doubleday, 1982.

Garden City, New York: Doubleday On Dance
In Books
102 1983 “New York's Debt to Lew Christensen in San Francisco: 1934–1988”

102 “New York's Debt to Lew Christensen in San Francisco: 1934–1988.” Pages x–xi in The San Francisco Ballet: The First Fifty Years, by [Stephen] Cobbett Steinberg. San Francisco: San Francisco Ballet Association/Chronicle Books, 1983. Includes “Vaudeville” (26).

San Francisco: San Francisco Ballet Association/Chronicle Books On Dance
In Books
103 1983 “Preface”

103 “Preface.” Pages 11–14 in Choreography by George Balanchine: A Catalogue of Works. Leslie George Katz, Nancy Lassalle and Harvey Simmonds, Project Directors. New York: Eakins Press Foundation, 1983. a. Also issued by Viking Penguin, New York, 1984, in a smaller format with corrections and additions.

New York: Eakins Press Foundation On Dance
In Books
103a 1984 “Preface”

103 “Preface.” Pages 11–14 in Choreography by George Balanchine: A Catalogue of Works. Leslie George Katz, Nancy Lassalle and Harvey Simmonds, Project Directors. New York: Eakins Press Foundation, 1983. a. Also issued by Viking Penguin, New York, 1984, in a smaller format with corrections and additions.

New York: Viking Penguin On Dance
In Books
105 1930 “The Diaghilev Period”

105 “The Diaghilev Period.” Hound & Horn 3:4 (July/Sept. 1930), 468–501. Illustrated. a. Reprinted, pages 3–25, in Ballet: Bias & Belief (83). b. Reprinted, pages [103]–129, in By With To & From (568).

Hound & Horn On Dance
Articles and Reviews
105a 1983 “The Diaghilev Period”

105 “The Diaghilev Period.” Hound & Horn 3:4 (July/Sept. 1930), 468–501. Illustrated. a. Reprinted, pages 3–25, in Ballet: Bias & Belief (83). b. Reprinted, pages [103]–129, in By With To & From (568).

[Brooklyn] New York: Dance Horizons On Dance
In Books
105b 1991 “The Diaghilev Period”

105 “The Diaghilev Period.” Hound & Horn 3:4 (July/Sept. 1930), 468–501. Illustrated. a. Reprinted, pages 3–25, in Ballet: Bias & Belief (83). b. Reprinted, pages [103]–129, in By With To & From (568).

New York: Farrar, Straus & Giroux On Dance
In Books
106 1931 “Dance Chronicle: Kreutzberg; Wigman; Pas d'Acier [Strawbridge-Prokofiev-Simonson]; The Future”

106 “Dance Chronicle: Kreutzberg; Wigman; Pas d'Acier [Strawbridge-Prokofiev-Simonson]; The Future.” Hound & Horn 4:4 (July/Sept. 1931), 573–580.

Hound & Horn On Dance
Articles and Reviews
107 1933 “Homage to Michel Fokine”

107 “Homage to Michel Fokine.” New English Weekly 3:15 (July 27, 1933), 350–351. a. Reprinted, pages 27–30, in Ballet: Bias & Belief (83).

New English Weekly On Dance
Articles and Reviews
107a 1983 “Homage to Michel Fokine”

107 “Homage to Michel Fokine.” New English Weekly 3:15 (July 27, 1933), 350–351. a. Reprinted, pages 27–30, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
108 1933 “‘Modern Dance’ and Dancing” [Isadora Duncan, Mary Wigman, Anna Pavlova, and others]

108 “‘Modern Dance’ and Dancing” [Isadora Duncan, Mary Wigman, Anna Pavlova, and others]. New English Weekly 3:18 (Aug. 17, 1933), 421.

New English Weekly On Dance
Articles and Reviews
109 1933 “Ballet” [Diaghilev, Lifar, Boris Kochno, Kurt Jooss, Balanchine, Les Ballets 1933, Ballet Russe de Monte Carlo, Original Ballet Russe, and others]

109 “Ballet” [Diaghilev, Lifar, Boris Kochno, Kurt Jooss, Balanchine, Les Ballets 1933, Ballet Russe de Monte Carlo, Original Ballet Russe, and others]. Vogue 82:9 (Nov. 1, 1933), 28–31, 102–103. Illustrated. a. Reprinted (without illustrations), pages [15–20], in Les Ballets 1933, catalogue of the exhibition. Saratoga Springs, New York: National Museum of Dance, 1990.

Vogue On Dance
Articles and Reviews
109a 1990 “Ballet”

109 “Ballet” [Diaghilev, Lifar, Boris Kochno, Kurt Jooss, Balanchine, Les Ballets 1933, Ballet Russe de Monte Carlo, Original Ballet Russe, and others]. Vogue 82:9 (Nov. 1, 1933), 28–31, 102–103. Illustrated. a. Reprinted (without illustrations), pages [15–20], in Les Ballets 1933, catalogue of the exhibition. Saratoga Springs, New York: National Museum of Dance, 1990.

Saratoga Springs, New York: National Museum of Dance On Dance
Exhibition Catalogues and Notes
110 1934 “The School of the American Ballet”

110 “The School of the American Ballet.” Hound & Horn 7:2 (Jan./March 1934), 284–286.

Hound & Horn On Dance
Articles and Reviews
111 1934 “The Dance: The Persistence of Ballet” [Vachtang Chabukiani, Vecheslova, Monte Carlo Ballet Russe; Balanchine, and the School of American Ballet]

111 “The Dance: The Persistence of Ballet” [Vachtang Chabukiani, Vecheslova, Monte Carlo Ballet Russe; Balanchine, and the School of American Ballet]. Nation 138 (No. 3578, Jan. 31, 1934), 138–140.

Nation On Dance
Articles and Reviews
112 1934 “The Dance: The Music Hall; Revues; the Movies” [Florence Rogge and the Roxyettes, Barr and Coe, Buck and Bubbles, the Ziegfeld Follies and Patricia Bowman, Vilma and Buddy Ebsen, Snake Hips, Bill Robinson, Fred Astaire, Charles Weidman, Busby Berkeley]

112 “The Dance: The Music Hall; Revues; the Movies” [Florence Rogge and the Roxyettes, Barr and Coe, Buck and Bubbles, the Ziegfeld Follies and Patricia Bowman, Vilma and Buddy Ebsen, Snake Hips, Bill Robinson, Fred Astaire, Charles Weidman, Busby Berkeley]. Nation 138 (No. 3584, March 14, 1934), 310–311.

Nation On Dance
Articles and Reviews
113 1934 “Nijinsky” [review of] Nijinsky, by Romola Nijinsky [in anonymous collaboration with Lincoln Kirstein]

113 “Nijinsky” [review of] Nijinsky, by Romola Nijinsky [in anonymous collaboration with Lincoln Kirstein]. Nation 138 (No. 3588, April 11, 1934), 420.

Nation On Dance
Articles and Reviews
114 1934 “Prejudice Purely” [on Martha Graham]

114 “Prejudice Purely” [on Martha Graham]. New Republic 78 (No. 1010, April 11, 1934), 243–244. a. Reprinted, pages 37–41, in Ballet: Bias & Belief (83).

New Republic On Dance
Articles and Reviews
114a 1983 “Prejudice Purely”

114 “Prejudice Purely” [on Martha Graham]. New Republic 78 (No. 1010, April 11, 1934), 243–244. a. Reprinted, pages 37–41, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
115 1934 “Correspondence” [letter on classical ballet and modern dance]

115 “Correspondence” [letter on classical ballet and modern dance]. Dance Observer 1:4 (May 1934), 47–48.

Dance Observer On Dance
Articles and Reviews
116 1934 “In Defense of the Ballet”

116 “In Defense of the Ballet.” Modern Music 11:4 (May/June 1934), 189–194.

Modern Music On Dance
Articles and Reviews
117 1934 “The Dance: ‘Cotillion’ [Balanchine-Chabrier-Bérard]; ‘Union Pacific’ [Massine-Nabokov-MacLeish]”

117 “The Dance: ‘Cotillion’ [Balanchine-Chabrier-Bérard]; ‘Union Pacific’ [Massine-Nabokov-MacLeish]” [Monte Carlo Ballet Russe]. Nation 138 (No. 3592, May 9, 1934), 546.

Nation On Dance
Articles and Reviews
118 1934 “The Dance: ‘Kykunkor’; Native African Opera”

118 “The Dance: ‘Kykunkor’; Native African Opera.” Nation 138 (No. 3597, June 13, 1934), 684.

Nation On Dance
Articles and Reviews
119 1934 “Revolutionary Ballet Forms” [Fokine, Nijinsky, Massine, Bronislava Nijinska, Balanchine, the School of American Ballet]

119 “Revolutionary Ballet Forms” [Fokine, Nijinsky, Massine, Bronislava Nijinska, Balanchine, the School of American Ballet]. New Theatre 1:9 (Oct. 1934), 12–14. Illustrated.

New Theatre On Dance
Articles and Reviews
120 1935 “The Dance: Some American Dancers” [Martha Graham, Mary Wigman, Helen Tamiris, Doris Humphries [sic] and Charles Weidman, Agnes de Mille, Roger Pryor Dodge, and others]

120 “The Dance: Some American Dancers” [Martha Graham, Mary Wigman, Helen Tamiris, Doris Humphries [sic] and Charles Weidman, Agnes de Mille, Roger Pryor Dodge, and others]. Nation 140 (No. 3634, Feb. 27, 1935), 258–259.

Nation On Dance
Articles and Reviews
121 1935 “The Dance as Theatre” [classical ballet opposed to modern dance]

121 “The Dance as Theatre” [classical ballet opposed to modern dance]. New Theatre 2:5 (May 1935), 20–22.

New Theatre On Dance
Articles and Reviews
122 1935 “Is Ballet Alive?”

122 “Is Ballet Alive?” Theatre Arts Monthly 19:8 (Aug. 1935), 639–640.

Theatre Arts Monthly On Dance
Articles and Reviews
123 1935 “The Dance: A Letter” [on John Martin's attitude toward ballet, the School of American Ballet, and the American Ballet company]

123 “The Dance: A Letter” [on John Martin's attitude toward ballet, the School of American Ballet, and the American Ballet company]. New York Times (Aug. 25, 1935), section 10, page 5.

New York Times On Dance
Articles and Reviews
124 1935 “The Ballet Is Classic” [responding to “Make the Dance American,” by Ruth St. Denis]

124 “The Ballet Is Classic” [responding to “Make the Dance American,” by Ruth St. Denis]. Current Controversy 1:2 (Nov. 1935), 17, 39.

Current Controversy On Dance
Articles and Reviews
125 1936 “Scenery for Theatrical Dancing” [Bakst, Benois, Larionov, Goncharova, Picasso and the School of Paris, the Constructivists, Miró, Tchelitchew, Noguchi, Calder, and others]

125 “Scenery for Theatrical Dancing” [Bakst, Benois, Larionov, Goncharova, Picasso and the School of Paris, the Constructivists, Miró, Tchelitchew, Noguchi, Calder, and others]. Art Front 2:2 (Jan. 1936), 12–13. Illustrated.

Art Front On Dance
Articles and Reviews
126 1936 “Progress of M. Balanchine in Choreographic Field Cited by Kirstein” [letter]

126 “Progress of M. Balanchine in Choreographic Field Cited by Kirstein” [letter]. New York Evening Journal, Final Night Extra edition (Feb. 28, 1936), 24.

New York Evening Journal On Dance
Articles and Reviews
127 1936 “Away from the Home of the Ballet” [review of] Russian Somersault, by Igor Schwezoff

127 “Away from the Home of the Ballet” [review of] Russian Somersault, by Igor Schwezoff. New York Herald Tribune Books (March 8, 1936), 6. Illustrated.

New York Herald Tribune Books On Dance
Articles and Reviews
128 1936 “A Museum of Ballet” [Monte Carlo Ballet Russe]

128 “A Museum of Ballet” [Monte Carlo Ballet Russe]. New Theatre 3:6 (June 1936), 20–21, 37. Illustrated.

New Theatre On Dance
Articles and Reviews
129 1936 “Ballet and the Modern Dance Today”

129 “Ballet and the Modern Dance Today.” Dance 1:1 (Oct. 1936), 6, 26. Illustrated.

Dance On Dance
Articles and Reviews
130 1936 “The Stepchild of the Arts” [review of] American Dancing: The Background and Personalities of the Modern Dance, by John Martin

130 “The Stepchild of the Arts” [review of] American Dancing: The Background and Personalities of the Modern Dance, by John Martin. New York Herald Tribune Books (Dec. 13, 1936), 31.

New York Herald Tribune Books On Dance
Articles and Reviews
131 1937 “Crisis in the Dance” [on classical ballet and modern dance]

131 “Crisis in the Dance” [on classical ballet and modern dance]. North American Review 243:1 (Spring 1937), 80–103.

North American Review On Dance
Articles and Reviews
132 1937 “Working with Stravinsky” [Jeu de Cartes (The Card Party: Ballet in Three Deals)]

132 “Working with Stravinsky” [Jeu de Cartes (The Card Party: Ballet in Three Deals)]. Modern Music 14:3 (March/April 1937), 143–146. a. Reprinted, pages 136–140, in Stravinsky in the Theatre, edited by Minna Lederman. New York: Pellegrini & Cudahy, 1949. Illustrated. b. Reprinted, pages 31–35, in Ballet: Bias & Belief (83). c. Reprinted, pages [159]–163, in By With To & From (568).

Modern Music On Dance
Articles and Reviews
132a 1949 “Working with Stravinsky”

132 “Working with Stravinsky” [Jeu de Cartes (The Card Party: Ballet in Three Deals)]. Modern Music 14:3 (March/April 1937), 143–146. a. Reprinted, pages 136–140, in Stravinsky in the Theatre, edited by Minna Lederman. New York: Pellegrini & Cudahy, 1949. Illustrated. b. Reprinted, pages 31–35, in Ballet: Bias & Belief (83). c. Reprinted, pages [159]–163, in By With To & From (568).

New York: Pellegrini & Cudahy On Dance
In Books
132b 1983 “Working with Stravinsky”

132 “Working with Stravinsky” [Jeu de Cartes (The Card Party: Ballet in Three Deals)]. Modern Music 14:3 (March/April 1937), 143–146. a. Reprinted, pages 136–140, in Stravinsky in the Theatre, edited by Minna Lederman. New York: Pellegrini & Cudahy, 1949. Illustrated. b. Reprinted, pages 31–35, in Ballet: Bias & Belief (83). c. Reprinted, pages [159]–163, in By With To & From (568).

[Brooklyn] New York: Dance Horizons On Dance
In Books
132c 1991 “Working with Stravinsky”

132 “Working with Stravinsky” [Jeu de Cartes (The Card Party: Ballet in Three Deals)]. Modern Music 14:3 (March/April 1937), 143–146. a. Reprinted, pages 136–140, in Stravinsky in the Theatre, edited by Minna Lederman. New York: Pellegrini & Cudahy, 1949. Illustrated. b. Reprinted, pages 31–35, in Ballet: Bias & Belief (83). c. Reprinted, pages [159]–163, in By With To & From (568).

New York: Farrar, Straus & Giroux On Dance
In Books
133 1937 “Homage to Stravinsky”

133 “Homage to Stravinsky.” Arts and Decoration 46:3 (May 1937), 14–15, 46. Illustrated.

Arts and Decoration On Dance
Articles and Reviews
134 1937 “An American Institution Is Founded” [School of American Ballet]

134 “An American Institution Is Founded” [School of American Ballet]. Dance 2:3; 2:4 (June; July 1937), 15–16, 37; 12–13. a. Reprinted, pages 27–33, in School of American Ballet [prospectus, 1937?].

Dance On Dance
Articles and Reviews
134a 1937 “An American Institution Is Founded”

134 “An American Institution Is Founded” [School of American Ballet]. Dance 2:3; 2:4 (June; July 1937), 15–16, 37; 12–13. a. Reprinted, pages 27–33, in School of American Ballet [prospectus, 1937?].

New York: School of American Ballet On Dance
Articles and Reviews
135 1937 “Ballet: Introduction and Credo”

135 “Ballet: Introduction and Credo.” Dance Observer 4:8 (Oct. 1937), 94.

Dance Observer On Dance
Articles and Reviews
136 1937 “The Ballet: Sad but Hopeful” [Massine, Catherine Littlefield, the Jooss Ballet]

136 “The Ballet: Sad but Hopeful” [Massine, Catherine Littlefield, the Jooss Ballet]. Dance Observer 4:9 (Nov. 1937), 113.

Dance Observer On Dance
Articles and Reviews
137 1937 “Dance: The Monte Carlo Season” [Original Ballet Russe]

137 “Dance: The Monte Carlo Season” [Original Ballet Russe]. Nation 145:20 (Nov. 13, 1937), 541–542.

Nation On Dance
Articles and Reviews
138 1937 “The Ballet: Tyranny and Blackmail” [on dance criticism]

138 “The Ballet: Tyranny and Blackmail” [on dance criticism]. Dance Observer 4:10 (Dec. 1937), 129.

Dance Observer On Dance
Articles and Reviews
139 1937 “To Dance” [exhibitions and performances at Rockefeller Center, “Dance International 1900–1937”]

139 “To Dance” [exhibitions and performances at Rockefeller Center, “Dance International 1900–1937”]. Town & Country 92 (No. 4183, Dec. 1937), 128, 178.

Town & Country On Dance
Articles and Reviews
140 1938 “Dance International 1900–1937” [exhibitions and performances at Rockefeller Center]

140 “Dance International 1900–1937” [exhibitions and performances at Rockefeller Center]. Dance Observer 5:1 (Jan. 1938), 6–7.

Dance Observer On Dance
Articles and Reviews
141 1938 “Dance through the Ages” [review of] World History of the Dance, by Curt Sachs, translated by Bessie Schoenberg

141 “Dance through the Ages” [review of] World History of the Dance, by Curt Sachs, translated by Bessie Schoenberg. Nation 146:3 (Jan. 15, 1938), 74, 76.

Nation On Dance
Articles and Reviews
142 1938 “Dance: The Critic's Lexicon” [John Martin]

142 “Dance: The Critic's Lexicon” [John Martin]. Nation 146:6 (Feb. 5, 1938), 164–166.

Nation On Dance
Articles and Reviews
143 1938 “Popular Style in American Dancing” [Fred Astaire, Hal LeRoy, Eleanor Powell, Ginger Rogers, Paul Draper, Vernon Castle, Buddy Ebsen, Buster West, Ray Bolger, and others]

143 “Popular Style in American Dancing” [Fred Astaire, Hal LeRoy, Eleanor Powell, Ginger Rogers, Paul Draper, Vernon Castle, Buddy Ebsen, Buster West, Ray Bolger, and others]. Nation 146:16 (April 16, 1938), 450–451.

Nation On Dance
Articles and Reviews
144 1938 “Dance Documentary” [review of] Complete Book of Ballets, by Cyril W. Beaumont

144 “Dance Documentary” [review of] Complete Book of Ballets, by Cyril W. Beaumont. Nation 146:22 (May 28, 1938), 622–623.

Nation On Dance
Articles and Reviews
145 1938 “Stardom: Slav and Native”

145 “Stardom: Slav and Native.” Dance 4:3 (June 1938), 14–15. Illustrated. a. Reprinted, pages 43–46, in Ballet: Bias & Belief (83).

Dance On Dance
Articles and Reviews
145a 1983 “Stardom: Slav and Native”

145 “Stardom: Slav and Native.” Dance 4:3 (June 1938), 14–15. Illustrated. a. Reprinted, pages 43–46, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
146 1938 “Our Ballet and Our Audience: The Ballet Caravan Tours to Havana”

146 “Our Ballet and Our Audience: The Ballet Caravan Tours to Havana.” American Dancer 11:9 (July 1938), 22–23. Illustrated. a. Reprinted, pages 53–57, in Ballet: Bias & Belief (83).

American Dancer On Dance
Articles and Reviews
146a 1983 “Our Ballet and Our Audience: The Ballet Caravan Tours to Havana”

146 “Our Ballet and Our Audience: The Ballet Caravan Tours to Havana.” American Dancer 11:9 (July 1938), 22–23. Illustrated. a. Reprinted, pages 53–57, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
147 1938 “Martha Graham at Bennington”

147 “Martha Graham at Bennington.” Nation 147:10 (Sept. 3, 1938), 230–231. a. Reprinted, pages 69–71, in Ballet: Bias & Belief (83).

Nation On Dance
Articles and Reviews
147a 1983 “Martha Graham at Bennington”

147 “Martha Graham at Bennington.” Nation 147:10 (Sept. 3, 1938), 230–231. a. Reprinted, pages 69–71, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
148 1938 “About ‘Billy the Kid’” [Loring-Copland]

148 “About ‘Billy the Kid’” [Loring-Copland]. Dance Observer 5:8 (Oct. 1938), 116.

Dance Observer On Dance
Articles and Reviews
149 1938 “Ballet 'Round the World” [review of] Dancing Around the World, by Arnold L. Haskell

149 “Ballet 'Round the World” [review of] Dancing Around the World, by Arnold L. Haskell. Boston Evening Transcript (Nov. 5, 1938), section 4, page 2.

Boston Evening Transcript On Dance
Articles and Reviews
150 1939 “About Billy the Kid

150 “About Billy the Kid.Dance 5:5, 5:6 (Feb.; March 1939), 14–15; 8, 38. a. Reprinted, pages 59–67, in Ballet: Bias & Belief (83).

Dance On Dance
Articles and Reviews
150a 1983 “About Billy the Kid

150 “About Billy the Kid.Dance 5:5, 5:6 (Feb.; March 1939), 14–15; 8, 38. a. Reprinted, pages 59–67, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
151 1939 “Transcontinental Caravan” Parts 1 and 2 [Ballet Caravan American tour]

151 “Transcontinental Caravan” Parts 1 and 2 [Ballet Caravan American tour]. Dance 5:5; 5:6 (Feb., March 1939), 14–15; 8, 38. Illustrated.

Dance On Dance
Articles and Reviews
152 1939 “About Dancers” [review of] Artists of the Dance, by Lillian Moore

152 “About Dancers” [review of] Artists of the Dance, by Lillian Moore. Kenyon Review 1:2 (Spring 1939), 222–223.

Kenyon Review On Dance
Articles and Reviews
153 1939 “The Dance of Forever” [on the future of classic dance]

153 “The Dance of Forever” [on the future of classic dance]. Dance 6:1 (April 1939), 11.

Dance On Dance
Articles and Reviews
154 1939 “Good Dance Book” [review of] Dances of Our Pioneers, by Grace L. Ryan

154 “Good Dance Book” [review of] Dances of Our Pioneers, by Grace L. Ryan. Boston Evening Transcript (July 15, 1939), section 4, page 1.

Boston Evening Transcript On Dance
Articles and Reviews
155 1939 “American Saturday Night” [the square dance]

155 “American Saturday Night” [the square dance]. Harper's Bazaar 73:9 (Aug. 1939), 64–65, 108. Illustrated.

Harper's Bazaar On Dance
Articles and Reviews
156 1939 “Pas de Deux in 2 x 4” [televising dance: a Ballet Caravan pas de deux with Lew Christensen and Gisella Caccialanza; Martha Graham's Lamentation]

156 “Pas de Deux in 2 x 4” [televising dance: a Ballet Caravan pas de deux with Lew Christensen and Gisella Caccialanza; Martha Graham's Lamentation]. TAC Magazine 2:1 (Sept. 1939), 15.

TAC Magazine On Dance
Articles and Reviews
157 1939 “Audience”

157 “Audience.” Dance Observer 6:9 (Nov. 1939), 282–283.

Dance Observer On Dance
Articles and Reviews
158 1939 “In Memoriam: Serge de Diaghileff”

158 “In Memoriam: Serge de Diaghileff.” Dance 6:6 (Nov. 1939), 8. Illustrated.

Dance On Dance
Articles and Reviews
159 1939 “Album of Dancers” [review of] The Book of the Ballets, edited by Gerald Goode

159 “Album of Dancers” [review of] The Book of the Ballets, edited by Gerald Goode. Boston Evening Transcript (Nov. 18, 1939), section 4, page 1.

Boston Evening Transcript On Dance
Articles and Reviews
160 1940 “Decor and Costume: Boston Balletomanes Can Turn to Book as Some Consolation for a Poor Season” [review of] Five Centuries of Ballet Design, by Cyril W. Beaumont

160 “Decor and Costume: Boston Balletomanes Can Turn to Book as Some Consolation for a Poor Season” [review of] Five Centuries of Ballet Design, by Cyril W. Beaumont. Boston Evening Transcript (Jan. 20, 1940), section 6, page 1.

Boston Evening Transcript On Dance
Articles and Reviews
161 1940 “Kirstein Blasts Open Shop” [letter on labor relations]

161 “Kirstein Blasts Open Shop” [letter on labor relations]. Dance 7:4 (May 1940), 8.

Dance On Dance
Articles and Reviews
162 1940 “To the Editors” [letter on labor relations]

162 “To the Editors” [letter on labor relations]. Dance Observer 7:5 (May 1940), 74.

Dance Observer On Dance
Articles and Reviews
163 1940 “Eccentric Dancing” [Buddy Ebsen, the Marx Brothers, Charlie Chaplin, Ray Bolger, Nijinsky, Massine, and others]

163 “Eccentric Dancing” [Buddy Ebsen, the Marx Brothers, Charlie Chaplin, Ray Bolger, Nijinsky, Massine, and others]. Theatre Arts 24:6 (June 1940), 443–449. Illustrated.

Theatre Arts On Dance
Articles and Reviews
164 1940 “Ballet: Record and Augury” [Monte Carlo Ballet Russe, Ballet Russe de Monte Carlo, Original Ballet Russe, American Ballet, Ballet Caravan, Ballet Theatre]

164 “Ballet: Record and Augury” [Monte Carlo Ballet Russe, Ballet Russe de Monte Carlo, Original Ballet Russe, American Ballet, Ballet Caravan, Ballet Theatre]. Theatre Arts 24:9 (Sept. 1940), 650–659. Illustrated.

Theatre Arts On Dance
Articles and Reviews
165 1940 “The Indians Dance” [ritual dances of the American Southwest]

165 “The Indians Dance” [ritual dances of the American Southwest]. Harper's Bazaar 74:10 (Sept. 1, 1940), 68–69, 98, 100–101. Illustrated.

Harper's Bazaar On Dance
Articles and Reviews
166 1940 “Ballet Blitz: This Season Promises a Three-for-all” [Ballet Russe de Monte Carlo, Original Ballet Russe, Ballet Theatre]

166 “Ballet Blitz: This Season Promises a Three-for-all” [Ballet Russe de Monte Carlo, Original Ballet Russe, Ballet Theatre]. Town & Country 95 (No. 4217, Oct. 1940), 64–65, 102, 106. Illustrated.

Town & Country On Dance
Articles and Reviews
167 1940 “Dance in Review: Ballet Russe de Monte Carlo”

167 “Dance in Review: Ballet Russe de Monte Carlo.” Dance 8:4 (Nov. 1940), 5, 18.

Dance On Dance
Articles and Reviews
168 1940 “Drawings of Dancers”

168 “Drawings of Dancers.” Theatre Arts 24:11 (Nov. 1940), 809–814. Illustrated.

Theatre Arts On Dance
Articles and Reviews
169 1940 “Lifar on Diaghilev” [review of] Serge Diaghilev: His Life, His Work, His Legend, by Serge Lifar

169 “Lifar on Diaghilev” [review of] Serge Diaghilev: His Life, His Work, His Legend, by Serge Lifar. Nation 151:20 (Nov. 16, 1940), 481–483.

Nation On Dance
Articles and Reviews
170 1940 “Dear Editor” [letter on the Original Ballet Russe Paganini (Fokine-Rachmaninov)]

170 “Dear Editor” [letter on the Original Ballet Russe Paganini (Fokine-Rachmaninov)]. PM's Weekly 1:24 (Dec. 1, 1940), 47.

PM's Weekly On Dance
Articles and Reviews
171 1941 “Foreword” to “The Dance Archives”

171 “Foreword” to “The Dance Archives.” Museum of Modern Art Bulletin 8:3 (Feb./March 1941), 2.

Museum of Modern Art Bulletin On Dance
Articles and Reviews
172 1941 “This Month in the Dance: Russian Ballet; Direction by Default” [Ballet Russe de Monte Carlo, Original Ballet Russe]

172 “This Month in the Dance: Russian Ballet; Direction by Default” [Ballet Russe de Monte Carlo, Original Ballet Russe]. Decision 1:3 (March 1941), 81–83.

Decision On Dance
Articles and Reviews
173 1941 “This Month in the Dance: Home Team; The Ballet Theatre”

173 “This Month in the Dance: Home Team; The Ballet Theatre.” Decision 1:4 (April 1941), 77–79.

Decision On Dance
Articles and Reviews
174 1941 “The American Ballet in Brazil: Part I of a Travel Diary”

174 “The American Ballet in Brazil: Part I of a Travel Diary.” American Dancer 14:11 (Sept. 1941), 8–9, 19, 23. Illustrated. a. Reprinted, pages 77–95, in Ballet: Bias & Belief (83).

American Dancer On Dance
Articles and Reviews
174a 1983 “The American Ballet in Brazil: Part I of a Travel Diary”

174 “The American Ballet in Brazil: Part I of a Travel Diary.” American Dancer 14:11 (Sept. 1941), 8–9, 19, 23. Illustrated. a. Reprinted, pages 77–95, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
175 1941 “The American Ballet in Argentina: Part II of a Travel Diary”

175 “The American Ballet in Argentina: Part II of a Travel Diary.” American Dancer 14:12 (Oct. 1941), 12–13, 25, 29. Illustrated. a. Reprinted, pages 77–95, in Ballet: Bias & Belief (83).

American Dancer On Dance
Articles and Reviews
175a 1983 “The American Ballet in Argentina: Part II of a Travel Diary”

175 “The American Ballet in Argentina: Part II of a Travel Diary.” American Dancer 14:12 (Oct. 1941), 12–13, 25, 29. Illustrated. a. Reprinted, pages 77–95, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
176 1941 “The American Ballet in Chile: Part III of a Travel Diary”

176 “The American Ballet in Chile: Part III of a Travel Diary.” American Dancer 15:1 (Nov. 1941), 10–11, 31. Illustrated. a. Reprinted, pages 77–95, in Ballet: Bias & Belief (83).

American Dancer On Dance
Articles and Reviews
176a 1983 “The American Ballet in Chile: Part III of a Travel Diary”

176 “The American Ballet in Chile: Part III of a Travel Diary.” American Dancer 15:1 (Nov. 1941), 10–11, 31. Illustrated. a. Reprinted, pages 77–95, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
177 1941 “Isadora Duncan”

177 “Isadora Duncan.” Museum of Modern Art Bulletin 9:2 (Nov. 1941), 10–11. Illustrated.

Museum of Modern Art Bulletin On Dance
Articles and Reviews
178 1941 “The American Ballet on the West Coast [Peru, Colombia, Venezuela]: Part IV of a Travel Diary”

178 “The American Ballet on the West Coast [Peru, Colombia, Venezuela]: Part IV of a Travel Diary.” American Dancer 15:2 (Dec. 1941), 16–17, 30. Illustrated. a. Reprinted, pages 77–95, in Ballet: Bias & Belief (83).

American Dancer On Dance
Articles and Reviews
178a 1983 “The American Ballet on the West Coast [Peru, Colombia, Venezuela]: Part IV of a Travel Diary”

178 “The American Ballet on the West Coast [Peru, Colombia, Venezuela]: Part IV of a Travel Diary.” American Dancer 15:2 (Dec. 1941), 16–17, 30. Illustrated. a. Reprinted, pages 77–95, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
179 1942 “Latin American Music for Ballet” [Paul Bowles, Francisco Mignone, Camargo Guarnieri, Alberto Ginastera, Domingo Santa Cruz, and others]

179 “Latin American Music for Ballet” [Paul Bowles, Francisco Mignone, Camargo Guarnieri, Alberto Ginastera, Domingo Santa Cruz, and others]. Theatre Arts 26:5 (May 1942), 329–335. Illustrated.

Theatre Arts On Dance
Articles and Reviews
180 1943 “Comment” [introduction to the issue An Album of Nijinsky Photographs with text by Edwin Denby]

180 “Comment” [introduction to the issue An Album of Nijinsky Photographs with text by Edwin Denby]. Dance Index 2:3 (March 1943), 23.

Dance Index On Dance
Articles and Reviews
181 1943 “Comment” [introduction to the issue The Romantic Ballet in London with text by George Chaffee]

181 “Comment” [introduction to the issue The Romantic Ballet in London with text by George Chaffee]. Dance Index 2:9/2:12 (Sept./Dec. 1943), 119.

Dance Index On Dance
Articles and Reviews
182 1944 “Comment” [introduction to the issue Anna Pavlova: Notes by Marianne Moore]

182 “Comment” [introduction to the issue Anna Pavlova: Notes by Marianne Moore]. Dance Index 3:3 (March 1944), 35.

Dance Index On Dance
Articles and Reviews
183 1945 “Comment” [introduction to the issue George Balanchine with texts by Balanchine, Agnes de Mille, Edwin Denby]

183 “Comment” [introduction to the issue George Balanchine with texts by Balanchine, Agnes de Mille, Edwin Denby]. Dance Index 4:2/4:3 (Feb./March 1945), 19.

Dance Index On Dance
Articles and Reviews
184 1946 “Comment” [introduction to the issue The Criticism of Edwin Denby. Photographs by Walker Evans]

184 “Comment” [introduction to the issue The Criticism of Edwin Denby. Photographs by Walker Evans]. Dance Index 5:2 (Feb. 1946), 27.

Dance Index On Dance
Articles and Reviews
185 1946 “Comment” [introduction to the issue Isadora in Art with text by Allan Ross Macdougall]

185 “Comment” [introduction to the issue Isadora in Art with text by Allan Ross Macdougall]. Dance Index 5:3 (March 1946), 59–60.

Dance Index On Dance
Articles and Reviews
186 1946 “Comment” [introduction to the issue Dance Notation, by Juana de Laban]

186 “Comment” [introduction to the issue Dance Notation, by Juana de Laban]. Dance Index 5:4/5:5 (April/May 1946), 87.

Dance Index On Dance
Articles and Reviews
187 1946 “Kyra Blanc: In Memoriam”

187 “Kyra Blanc: In Memoriam.” Dance News 8:5 (May 1946), 4.

Dance News On Dance
Articles and Reviews
188 1946 “Comment” [introduction to the issue Clowns, Elephants and Ballerinas arranged and with comments by Joseph Cornell]

188 “Comment” [introduction to the issue Clowns, Elephants and Ballerinas arranged and with comments by Joseph Cornell]. Dance Index 5:6 (June 1946), 135.

Dance Index On Dance
Articles and Reviews
189 1947 “Comment” [introduction to the issue Marius Petipa with text by Yury Slonimsky]

189 “Comment” [introduction to the issue Marius Petipa with text by Yury Slonimsky]. Dance Index 6:5/6:6 (May/June 1947), 99.

Dance Index On Dance
Articles and Reviews
190 1947 “Balanchine Musagète” [Apollon Musagète and other collaborations with Stravinsky]

190 “Balanchine Musagète” [Apollon Musagète and other collaborations with Stravinsky]. Theatre Arts 31:11 (Nov. 1947), 36–41. Illustrated. a. Reprinted (without illustrations), pages 202–209, in Theatre Arts Anthology, edited by Rosamond Gilder and others. New York: Theatre Arts Books, 1950.

Theatre Arts On Dance
Articles and Reviews
190a 1950 “Balanchine Musagète”

190 “Balanchine Musagète” [Apollon Musagète and other collaborations with Stravinsky]. Theatre Arts 31:11 (Nov. 1947), 36–41. Illustrated. a. Reprinted (without illustrations), pages 202–209, in Theatre Arts Anthology, edited by Rosamond Gilder and others. New York: Theatre Arts Books, 1950.

New York: Theatre Arts Books On Dance
In Books
191 1947 “Balanchine and the Classic Revival”

191 “Balanchine and the Classic Revival.” Theatre Arts 31:12 (Dec. 1947), 37–43. Illustrated.

Theatre Arts On Dance
Articles and Reviews
192 1949 “The Legacy of Diaghilew”

192 “The Legacy of Diaghilew.” Dance News 15:2 (Aug. 1949), 5, 6. Illustrated.

Dance News On Dance
Articles and Reviews
193 1950 “Balanchine and American Ballet: With American Paintings of the Symbolic Realist School”

193 “Balanchine and American Ballet: With American Paintings of the Symbolic Realist School.” Parts I and II. Ballet 9:5; 9:6 (May; June 1950), 24–33; 15–22. Illustrated.

Ballet On Dance
Articles and Reviews
194 1950 “The Dance: Repertory; Ballet Director Suggests Some Formula Might Help in Creating Ballets”

194 “The Dance: Repertory; Ballet Director Suggests Some Formula Might Help in Creating Ballets.” New York Times (July 9, 1950), section 2, page 2.

New York Times On Dance
Articles and Reviews
195 1952 “Martin of The Times” [John Martin]

195 “Martin of The Times” [John Martin]. Dance News 20:4 (April 1952), 8.

Dance News On Dance
Articles and Reviews
196 1954 “Repertory: The Face of the Company” [New York City Ballet]

196 “Repertory: The Face of the Company” [New York City Ballet]. Center 1:4 (June/July 1954), 20–23. Illustrated.

Center On Dance
Articles and Reviews
197 1954 “The Monument of Diaghilev”

197 “The Monument of Diaghilev.” Dance News 25:1 (Sept. 1954), 7. Illustrated.

Dance News On Dance
Articles and Reviews
198 1955 “The Position of Balanchine: A New Design for Ballet”

198 “The Position of Balanchine: A New Design for Ballet.” Perspectives USA 12 (Summer 1955), 77–82. Illustrated. a. Reprinted (without illustrations), pages 211–215, in Salmagundi 33/34 (Spring/Summer 1976).

Perspectives USA On Dance
Articles and Reviews
198a 1976 “The Position of Balanchine: A New Design for Ballet”

198 “The Position of Balanchine: A New Design for Ballet.” Perspectives USA 12 (Summer 1955), 77–82. Illustrated. a. Reprinted (without illustrations), pages 211–215, in Salmagundi 33/34 (Spring/Summer 1976).

Salmagundi On Dance
Articles and Reviews
199 1956 “Arthur Bronson”

199 “Arthur Bronson.” Dance News 28:5 (May 1956), 9.

Dance News On Dance
Articles and Reviews
200 1958 “To Do Again” [summary of the work with Balanchine since 1933]

200 “To Do Again” [summary of the work with Balanchine since 1933]. Theatre Arts 42:9 (Sept. 1958), 68–70. llustrated.

Theatre Arts On Dance
Articles and Reviews
201 1959 “The Nature of American Ballet: Balanchine, Robbins and the Creation of a Style”

201 “The Nature of American Ballet: Balanchine, Robbins and the Creation of a Style.” Times Literary Supplement Special Number, “The American Imagination” (Nov. 6, 1959), xxv. Illustrated. a. Reprinted, pages 97–103, in The American Imagination: A Critical Survey of the Arts from the Times Literary Supplement. London: Cassell, 1960. Also issued by Atheneum, New York, 1960.

Times Literary Supplement On Dance
Articles and Reviews
201a1 1960 “The Nature of American Ballet: Balanchine, Robbins and the Creation of a Style”

201 “The Nature of American Ballet: Balanchine, Robbins and the Creation of a Style.” Times Literary Supplement Special Number, “The American Imagination” (Nov. 6, 1959), xxv. Illustrated. a. Reprinted, pages 97–103, in The American Imagination: A Critical Survey of the Arts from the Times Literary Supplement. London: Cassell, 1960. Also issued by Atheneum, New York, 1960.

London: Cassell On Dance
In Books
201a2 1960 “The Nature of American Ballet: Balanchine, Robbins and the Creation of a Style”

201 “The Nature of American Ballet: Balanchine, Robbins and the Creation of a Style.” Times Literary Supplement Special Number, “The American Imagination” (Nov. 6, 1959), xxv. Illustrated. a. Reprinted, pages 97–103, in The American Imagination: A Critical Survey of the Arts from the Times Literary Supplement. London: Cassell, 1960. Also issued by Atheneum, New York, 1960.

New York: Atheneum On Dance
In Books
202 1962 “Ballet Has Own Logic: Music, Anatomy, Geometry Are Skillfully Combined”

202 “Ballet Has Own Logic: Music, Anatomy, Geometry Are Skillfully Combined.” Spokane [Washington] Spokesman Review (July 15, 1962), Family Section part 2, page 12.

Spokane [Washington] Spokesman Review On Dance
Articles and Reviews
203 1962 “In Appreciation: John Martin”

203 “In Appreciation: John Martin.” Dance News 41:1 (Sept. 1962), 3. Illustrated.

Dance News On Dance
Articles and Reviews
204 1963 “Astonishing Reply” [letter on Nijinsky, Cocteau, Diaghilev]

204 “Astonishing Reply” [letter on Nijinsky, Cocteau, Diaghilev]. Nation 196:7 (Feb. 16, 1963), facing 129.

Nation On Dance
Articles and Reviews
205 1964 “The Map of Movement” [review of] The Choreographic Art: An Outline of Its Principles and Craft, by Peggy Van Praagh and Peter Brinson

205 “The Map of Movement” [review of] The Choreographic Art: An Outline of Its Principles and Craft, by Peggy Van Praagh and Peter Brinson. Times Literary Supplement 63 (No. 3229, Jan. 16, 1964), 37–38.

Times Literary Supplement On Dance
Articles and Reviews
206 1970 “Kirstein Argues about Petrouchka” [letter on Clive Barnes’ review of the Joffrey Ballet revival of the Fokine-Stravinsky-Benois production]

206 “Kirstein Argues about Petrouchka” [letter on Clive Barnes’ review of the Joffrey Ballet revival of the Fokine-Stravinsky-Benois production]. New York Times (May 31, 1970), section 2, page 15.

New York Times On Dance
Articles and Reviews
207 1972 “Balanchine's Fourth Dimension: His eyes and Mind Transform Sound into Sight”

207 “Balanchine's Fourth Dimension: His eyes and Mind Transform Sound into Sight.” Vogue 160:10 (Dec. 1972), 118–129, 203, 205–206. Illustrated. a. Reprinted, pages 11–19, in Ballet: Bias & Belief (83).

Vogue On Dance
Articles and Reviews
207a 1983 “Balanchine's Fourth Dimension: His eyes and Mind Transform Sound into Sight”

207 “Balanchine's Fourth Dimension: His eyes and Mind Transform Sound into Sight.” Vogue 160:10 (Dec. 1972), 118–129, 203, 205–206. Illustrated. a. Reprinted, pages 11–19, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
208a 1972 “Balanchine Trio” [Prodigal Son, The Four Temperaments, Agon]

208 “Balanchine Trio” [Prodigal Son, The Four Temperaments, Agon]. About the House 4:1 (Christmas 1972), 12–15. Illustrated. a. Reprinted (with variant illustrations), pages 186–187, in Dancing Times 63 (No. 748, Jan. 1973).

Dancing Times On Dance
Articles and Reviews
208 1972 “Balanchine Trio” [Prodigal Son, The Four Temperaments, Agon]

208 “Balanchine Trio” [Prodigal Son, The Four Temperaments, Agon]. About the House 4:1 (Christmas 1972), 12–15. Illustrated. a. Reprinted (with variant illustrations), pages 186–187, in Dancing Times 63 (No. 748, Jan. 1973).

About the House On Dance
Program and Other Notes
209 1973 “Melissa Hayden: A Tribute”

209 “Melissa Hayden: A Tribute.” Dance Magazine 48:8 (Aug. 1973), 32–34. Illustrated.

Dance Magazine On Dance
Articles and Reviews
210 1974 “The Increased Popularity of Ballet in America”

210 “The Increased Popularity of Ballet in America.” Schwann-1 Record & Tape Guide 26:5 (May 1974), 24–27. Illustrated. a. Reprinted (with variant illustrations), pages 10, 15, 17, 19, in Playbill, New York State Theater Edition 9 (Nov. 12–Dec. 1, 1974). New York: American Theatre Press, 1974. b. Reprinted (without illustrations, titled “Modern Ballet: A Moral Ordering”), pages 26–28, in About the House 4:12 (Summer 1976).

Schwann-1 Record & Tape Guide On Dance
Articles and Reviews
210a 1974 “The Increased Popularity of Ballet in America”

210 “The Increased Popularity of Ballet in America.” Schwann-1 Record & Tape Guide 26:5 (May 1974), 24–27. Illustrated. a. Reprinted (with variant illustrations), pages 10, 15, 17, 19, in Playbill, New York State Theater Edition 9 (Nov. 12–Dec. 1, 1974). New York: American Theatre Press, 1974. b. Reprinted (without illustrations, titled “Modern Ballet: A Moral Ordering”), pages 26–28, in About the House 4:12 (Summer 1976).

New York: American Theatre Press On Dance
Program and Other Notes
210b 1976 “Modern Ballet: A Moral Ordering”

210 “The Increased Popularity of Ballet in America.” Schwann-1 Record & Tape Guide 26:5 (May 1974), 24–27. Illustrated. a. Reprinted (with variant illustrations), pages 10, 15, 17, 19, in Playbill, New York State Theater Edition 9 (Nov. 12–Dec. 1, 1974). New York: American Theatre Press, 1974. b. Reprinted (without illustrations, titled “Modern Ballet: A Moral Ordering”), pages 26–28, in About the House 4:12 (Summer 1976).

About the House On Dance
Program and Other Notes
211 1975 “Léo Delibes and the Inscape of Coppélia

211 “Léo Delibes and the Inscape of Coppélia.Dance and Dancers 26:3 (March 1975), 28–29, 38. Illustrated.

Dance and Dancers On Dance
Articles and Reviews
212 1977 “Mind and Body” [review of] Afterimages, by Arlene Croce

212 “Mind and Body” [review of] Afterimages, by Arlene Croce. New York Review of Books 24:19 (Nov. 24, 1977), 42–44.

New York Review of Books On Dance
Articles and Reviews
213 1978 “The Ballet and the Public: Notes from a Diary”

213 “The Ballet and the Public: Notes from a Diary.” New York Review of Books 25:18 (Nov. 23, 1978), 18–21.

New York Review of Books On Dance
Articles and Reviews
214 1979 “The Instigator” [review of] Diaghilev, by Richard Buckle

214 “The Instigator” [review of] Diaghilev, by Richard Buckle. New York Review of Books 26:17 (Nov. 8, 1979), 3–4, 6.

New York Review of Books On Dance
Articles and Reviews
215 1980 “Great Dane” [review of] My Theatre Life, by August Bournonville, and The King's Ballet Master, by Walter Terry

215 “Great Dane” [review of] My Theatre Life, by August Bournonville, and The King's Ballet Master, by Walter Terry. New York Review of Books 27:4 (March 20, 1980), 18–20.

New York Review of Books On Dance
Articles and Reviews
216 1980 “Arnold Lionel Haskell: 1903–1980”

216 “Arnold Lionel Haskell: 1903–1980.” Ballet Review 8:4 (Winter 1980), 440–441.

Ballet Review On Dance
Articles and Reviews
217 1983 “Maker and Teacher” [on George Balanchine]

217 “Maker and Teacher” [on George Balanchine]. New York Review of Books 30:4 (March 17, 1983), 7–8.

New York Review of Books On Dance
Articles and Reviews
218 1983 “On Edwin Denby”

218 “On Edwin Denby.” New York Review of Books 30:14 (Sept. 29, 1983), 3–4. a. Reprinted, pages 183–186, in The Complete Poems, by Edwin Denby. New York: Random House, 1986.

New York Review of Books On Dance
Articles and Reviews
218a 1986 “On Edwin Denby”

218 “On Edwin Denby.” New York Review of Books 30:14 (Sept. 29, 1983), 3–4. a. Reprinted, pages 183–186, in The Complete Poems, by Edwin Denby. New York: Random House, 1986.

New York: Random House On Dance
In Books
219 1984 “Portrait of Mr. B. [on George Balanchine]”

219 “Portrait of Mr. B. [on George Balanchine],” About the House 7:1 (Christmas 1984), 32–35.

About the House On Dance
Program and Other Notes
220 1984 “Beliefs of a Master” [on George Balanchine]

220 “Beliefs of a Master” [on George Balanchine]. New York Review of Books 31:4 (March 15, 1984), 17–23.

New York Review of Books On Dance
Articles and Reviews
221 1985 “American Apollo” [on Lew Christensen]

221 “American Apollo” [on Lew Christensen]. Ballet News 6:1 (Jan. 1985), 11–13.

Ballet News On Dance
Articles and Reviews
222 1986 “The Curse of Isadora” [on Isadora Duncan and modern dance]

222 “The Curse of Isadora” [on Isadora Duncan and modern dance]. New York Times (Nov. 23, 1986), section II, pages 1, 28.

New York Times On Dance
Articles and Reviews
223 1987 “The Monstrous Itch” [review of] Private Domain, by Paul Taylor

223 “The Monstrous Itch” [review of] Private Domain, by Paul Taylor. New York Review of Books 34:10 (June 11, 1987), 30–32.

New York Review of Books On Dance
Articles and Reviews
224 1988 “For John Martin: A Tribute”

224 “For John Martin: A Tribute.” Ballet Review 16:1 (Spring 1988), 44.

Ballet Review On Dance
Articles and Reviews
225 1991 “Balanchine as Teacher”

225 “Balanchine as Teacher,” Ballet Review 19:4 (Winter 1991), 61.

Ballet Review On Dance
Articles and Reviews
226 1991 “Twenty-Five Years”

226 “Twenty-Five Years,” Ballet Review 19:4 (Winter 1991), 25.

Ballet Review On Dance
Articles and Reviews
227 1991 “Robert Irving, A Tribute”

227 “Robert Irving, A Tribute,” Dancing Times 82:974 (Nov. 1991), 142.

Dancing Times On Dance
Articles and Reviews
228 1992 “The Contribution, Moral and Physical, of Balanchine Instruction and Repertory”

228 “The Contribution, Moral and Physical, of Balanchine Instruction and Repertory,” Ballet Review 19:4 (Winter 1992), 61–62.

Ballet Review On Dance
Articles and Reviews
229 1993 “W. McNeil Lowry (1913–1993)”

229 “W. McNeil Lowry (1913–1993),” Ballet Review 21:3 (Fall 1993), 33–36.

Ballet Review On Dance
Articles and Reviews
230 1996 “Three Early Letters to Jean Cocteau, 1929”

230 “Three Early Letters to Jean Cocteau, 1929,” Ballet Review 24:1 (Spring 1996), 19.

Ballet Review On Dance
Articles and Reviews
231 1996 “Three Early Letters to A. Everett Austin, 1933”

231 “Three Early Letters to A. Everett Austin, 1933,” Ballet Review 24:1 (Spring 1996), 20–23.

Ballet Review On Dance
Articles and Reviews
232 1996 “Three Early Letters to Muriel Draper, 1935”

232 “Three Early Letters to Muriel Draper, 1935,” Ballet Review 24:1 (Spring 1996), 23–26.

Ballet Review On Dance
Articles and Reviews
233 1996 “Balanchine ‘Orpheus and Eurydice,’ 1936”

233 “Balanchine ‘Orpheus and Eurydice,’ 1936,” Ballet Review 24:1 (Spring 1996), 41–60.

Ballet Review On Dance
Articles and Reviews
234 1997 “A. Everett Austin, Jr.”

234 “A. Everett Austin, Jr.” Ballet Review 25:2 (Summer 1997), 51–58.

Ballet Review On Dance
Articles and Reviews
235 1997 “Ballet-Russe-de-Monte-Carlo”

235 “Ballet-Russe-de-Monte-Carlo,” Dance Magazine 71:6 (June 1997), 18.

Dance Magazine On Dance
Articles and Reviews
236 1937 “The Ballet Caravan”

236 “The Ballet Caravan.” Pages [1–2] in Ballet Caravan [prospectus, 1937?].

Ballet Caravan On Dance
Program and Other Notes
237 1937 [Statement]

237 [Statement.] Page [4] in The Ballet Caravan [announcement, 1937/1938 season].

Ballet Caravan On Dance
Program and Other Notes
238 1937 “Ballet Caravan”

238 “Ballet Caravan.” Pages [2–3] in Ballet Caravan [souvenir program, 1937/1938].

Ballet Caravan On Dance
Program and Other Notes
239 1938 “The Ballet Caravan”

239 “The Ballet Caravan.” In The Ballet Caravan [announcement, January 6 and 7, 1938, performances at the Avery Memorial Auditorium, Hartford, Connecticut]. 1 leaf.

Ballet Caravan On Dance
Program and Other Notes
240 1941 “Report of the Director for the Year Ending June 30, 1941”

240 “Report of the Director for the Year Ending June 30, 1941.” Pages 5–6 in The School of American Ballet [catalogue, 1941/1942].

New York: School of American Ballet On Dance
Program and Other Notes
241 1942 “Report of the Director for the Year Ending June 27, 1942”

241 “Report of the Director for the Year Ending June 27, 1942.” Pages 5–7 in The School of American Ballet [catalogue, Fall/Winter 1942/1943].

New York: School of American Ballet On Dance
Program and Other Notes
242 1944 “1933–1944”

242 “1933–1944.” Pages 4–7 in School of American Ballet [catalogue, 1944/1945].

New York: School of American Ballet On Dance
Program and Other Notes
243 1946 The Spellbound Child, Poem by Colette,” [L'Enfant et les Sortilèges] translated by Lincoln Kirstein and Jane Barzin

243 “The Spellbound Child, Poem by Colette,” [L'Enfant et les Sortilèges] translated by Lincoln Kirstein and Jane Barzin. Pages [7–12] in The Ballet Society: First Program; November 20, 1946—Central High School of Needle Trades, 225 West 24th Street [New York]. New York: Ballet Society, 1946. a. Reprinted in Voices 138 (Summer 1949), 8–17. b. Reprinted, pages [13–14], in New York City Ballet: Hommage à Ravel, 1875–1975 [souvenir program for the performances May 12–31, 1975]. New York: Souvenir Book Publishers, 1975.

New York: Ballet Society On Dance
Program and Other Notes
243a 1949 The Spellbound Child, Poem by Colette,” [L'Enfant et les Sortilèges] translated by Lincoln Kirstein and Jane Barzin

243 “The Spellbound Child, Poem by Colette,” [L'Enfant et les Sortilèges] translated by Lincoln Kirstein and Jane Barzin. Pages [7–12] in The Ballet Society: First Program; November 20, 1946—Central High School of Needle Trades, 225 West 24th Street [New York]. New York: Ballet Society, 1946. a. Reprinted in Voices 138 (Summer 1949), 8–17. b. Reprinted, pages [13–14], in New York City Ballet: Hommage à Ravel, 1875–1975 [souvenir program for the performances May 12–31, 1975]. New York: Souvenir Book Publishers, 1975.

Voices On Dance
Articles and Reviews
243b 1975 The Spellbound Child, Poem by Colette,” [L'Enfant et les Sortilèges] translated by Lincoln Kirstein and Jane Barzin

243 “The Spellbound Child, Poem by Colette,” [L'Enfant et les Sortilèges] translated by Lincoln Kirstein and Jane Barzin. Pages [7–12] in The Ballet Society: First Program; November 20, 1946—Central High School of Needle Trades, 225 West 24th Street [New York]. New York: Ballet Society, 1946. a. Reprinted in Voices 138 (Summer 1949), 8–17. b. Reprinted, pages [13–14], in New York City Ballet: Hommage à Ravel, 1875–1975 [souvenir program for the performances May 12–31, 1975]. New York: Souvenir Book Publishers, 1975.

New York: Souvenir Book Publishers On Dance
Program and Other Notes
244 1954 The Nutcracker [souvenir program, 1954], edited by Lincoln Kirstein

244 The Nutcracker [souvenir program, 1954], edited by Lincoln Kirstein. New York: Souvenir Programs, [1954]. [24] pages. Illustrated.

New York: Souvenir Programs On Dance
Program and Other Notes
245 1957 [Statement]

245 [Statement.] Pages [3–4] in “George Platt Lynes,” text for New York City Ballet: Photographs from 1935 through 1955 Taken by George Platt Lynes, 1907–1956 [souvenir program, 1957]. New York: Souvenir Programs, 1957.

New York: Souvenir Programs On Dance
Program and Other Notes
246 1959 “Our Dancers’ Debt”

246 “Our Dancers’ Debt.” Pages 11–13, 15 in Playbill (Metropolitan Opera House issue, April 16–May 9, 1959). New York: Playbill, 1959.

New York: Playbill On Dance
Program and Other Notes
247 1959 “1934–1959”

247 “1934–1959.” Pages [4–6] in School of American Ballet [catalogue, 1959/1960].

New York: School of American Ballet On Dance
Program and Other Notes
248 1964 “A Building as a Ballerina”

248 “A Building as a Ballerina.” Pages [3–9] in The City Center of Music and Drama Presents the New York City Ballet at the New York State Theater, Lincoln Center [souvenir program, 1964]. New York: Program Publishing Company, 1964. Illustrated.

New York: Program Publishing Company On Dance
Program and Other Notes
249 1966 “A Subscription Audience for Ballet”

249 “A Subscription Audience for Ballet.” Pages 30–31 in New York State Theater Magazine 1:1 (March 29–May 6, 1966) [program]. New York: Playbill, 1966.

New York: Playbill On Dance
Program and Other Notes
250 1966 [Introduction] “Edwin Denby on the Dance”

250 [Introduction] “Edwin Denby on the Dance.” Pages 8–9 in New York State Theater Magazine 1:1, 1:2 (March 29–May 22, 1966) [program]. New York: Playbill, 1966.

New York: Playbill On Dance
Program and Other Notes
251 1968 [Statement]

251 [Statement.] Pages [3–4] in Morton Baum: Chairman of the Board of the City Center of Music and Drama, Inc.; December 28, 1905–February 7, 1968. [New York: 1968.]

[New York: City Center of Music and Drama] On Dance
Program and Other Notes
252 1969 “An Imperial Theater in the Empire State”

252 “An Imperial Theater in the Empire State.” Page 13 in The Saratoga Performing Arts Center Program Magazine [1969 season]. Albany, New York: Showbill, 1969.

Albany, New York: Showbill On Dance
Program and Other Notes
253 1970 “The School of American Ballet: 1934–1970”

253 “The School of American Ballet: 1934–1970.” Pages 3–7 in School of American Ballet [catalogue, 1970/1971].

New York: School of American Ballet On Dance
Program and Other Notes
254 1970 “On Choreography” [extract from Movement & Metaphor (78)]

254 “On Choreography” [extract from Movement & Metaphor (78)]. Pages 15–18, 33, 34, 37, 38–39 in New York State Theater Magazine 5 (Nov. 17–Dec. 6, 1970) [program]. New York: Publishing Division of Metromedia, 1970. Illustrated.

New York: Publishing Division of Metromedia On Dance
Program and Other Notes
255 1971 The New York City Ballet 1946–1971 (1934–1980)

255 The New York City Ballet 1946–1971 (1934–1980). [New York: New York City Ballet, 1971.] [4] pages. Illustrated.

[New York: New York City Ballet] On Dance
Program and Other Notes
256 1971 “Stravinsky and Balanchine: Fifty Years of Partnership, 1920–1971”

256 “Stravinsky and Balanchine: Fifty Years of Partnership, 1920–1971.” Pages [2–3] in New York City Ballet [souvenir program, 1971]. New York: Program Publishing Company, 1971. Illustrated.

New York: Program Publishing Company On Dance
Program and Other Notes
257 1972 “Celebration” and “Agon” 

257 “Celebration” and “Agon.” Pages [5–6], [12–13] in New York City Ballet: Igor Stravinsky, June 18, 1882–April 6, 1971 [souvenir program of the Stravinsky Festival, June 18–25, 1972]. New York: New York City Ballet, 1972. a. Partially reprinted (titled “On Stravinsky”), page 37, in New York Review of Books 18:12 (June 29, 1972). Illustrated. b. Reprinted (titled “The Occasion” and “Apollo : Orpheus : Agon”), pages 9–13 and 168–171, in The Stravinsky Festival of the New York City Ballet, written and edited by Nancy Goldner, with photographs by Martha Swope and others. New York: Eakins Press, 1973.

New York: New York City Ballet On Dance
Program and Other Notes
257a 1972 “On Stravinsky”

257 “Celebration” and “Agon.” Pages [5–6], [12–13] in New York City Ballet: Igor Stravinsky, June 18, 1882–April 6, 1971 [souvenir program of the Stravinsky Festival, June 18–25, 1972]. New York: New York City Ballet, 1972. a. Partially reprinted (titled “On Stravinsky”), page 37, in New York Review of Books 18:12 (June 29, 1972). Illustrated. b. Reprinted (titled “The Occasion” and “Apollo : Orpheus : Agon”), pages 9–13 and 168–171, in The Stravinsky Festival of the New York City Ballet, written and edited by Nancy Goldner, with photographs by Martha Swope and others. New York: Eakins Press, 1973.

New York Review of Books On Dance
Articles and Reviews
257b 1973 “The Occasion” and “Apollo : Orpheus : Agon”

257 “Celebration” and “Agon.” Pages [5–6], [12–13] in New York City Ballet: Igor Stravinsky, June 18, 1882–April 6, 1971 [souvenir program of the Stravinsky Festival, June 18–25, 1972]. New York: New York City Ballet, 1972. a. Partially reprinted (titled “On Stravinsky”), page 37, in New York Review of Books 18:12 (June 29, 1972). Illustrated. b. Reprinted (titled “The Occasion” and “Apollo : Orpheus : Agon”), pages 9–13 and 168–171, in The Stravinsky Festival of the New York City Ballet, written and edited by Nancy Goldner, with photographs by Martha Swope and others. New York: Eakins Press, 1973.

New York: Eakins Press On Dance
In Books
258 1972 “Bemerkungen zur Geschichte des New York City Ballet”

258 “Bemerkungen zur Geschichte des New York City Ballet.” Pages [2–7] in Münchner Festspiele . . . 1972: Gesamtgastspiel New York City Ballet [program, Aug. 11–14, 1972]. Munich: Bayerische Staatsoper, 1972. Illustrated. a. Reprinted (translated and revised, without illustrations, titled “New York City Ballet”), pages [17–18], in The Theatregoer (Aug. 13–25, 1973) [program, Greek Theatre, Los Angeles]. Hollywood: Hollywood Reporter, 1973. b. Reprinted (slightly revised), page [21], in The Theatregoer (Aug. 12–24, 1974). Hollywood: Hollywood Reporter, 1974.

Munich: Bayerische Staatsoper On Dance
Program and Other Notes
258a 1973 “New York City Ballet”

258 “Bemerkungen zur Geschichte des New York City Ballet.” Pages [2–7] in Münchner Festspiele . . . 1972: Gesamtgastspiel New York City Ballet [program, Aug. 11–14, 1972]. Munich: Bayerische Staatsoper, 1972. Illustrated. a. Reprinted (translated and revised, without illustrations, titled “New York City Ballet”), pages [17–18], in The Theatregoer (Aug. 13–25, 1973) [program, Greek Theatre, Los Angeles]. Hollywood: Hollywood Reporter, 1973. b. Reprinted (slightly revised), page [21], in The Theatregoer (Aug. 12–24, 1974). Hollywood: Hollywood Reporter, 1974.

Hollywood: Hollywood Reporter On Dance
Program and Other Notes
258b 1974 “New York City Ballet”

258 “Bemerkungen zur Geschichte des New York City Ballet.” Pages [2–7] in Münchner Festspiele . . . 1972: Gesamtgastspiel New York City Ballet [program, Aug. 11–14, 1972]. Munich: Bayerische Staatsoper, 1972. Illustrated. a. Reprinted (translated and revised, without illustrations, titled “New York City Ballet”), pages [17–18], in The Theatregoer (Aug. 13–25, 1973) [program, Greek Theatre, Los Angeles]. Hollywood: Hollywood Reporter, 1973. b. Reprinted (slightly revised), page [21], in The Theatregoer (Aug. 12–24, 1974). Hollywood: Hollywood Reporter, 1974.

Hollywood: Hollywood Reporter On Dance
Program and Other Notes
259 1973 “Melissa Hayden: ‘Time to Retire?’”

259 “Melissa Hayden: ‘Time to Retire?’” Pages 10, 12–13 in The New York State Theater Magazine 8 (June 5–24, 1973) [program]. New York: Publishing Division of Metromedia, 1973. Illustrated.

New York: Publishing Division of Metromedia On Dance
Program and Other Notes
260 1974 “Recollections” [extracts from The New York City Ballet (79)]

260 “Recollections” [extracts from The New York City Ballet (79)]. Pages 6–7, 9, 11–12, 17 in New York State Theater Edition of Playbill 9 (Jan. 9–Feb. 17, 1974) [program]. New York: American Theatre Press, 1974. Illustrated.

New York: American Theatre Press On Dance
Program and Other Notes
261 1974 “The Annual Demonstrations by the School of American Ballet”

261 “The Annual Demonstrations by the School of American Ballet.” Pages 1, 8–9 in Playbill 11 (New York State Theater issue, June 4–30, 1974) [program]. New York: American Theatre Press, 1974. Illustrated.

New York: American Theatre Press On Dance
Program and Other Notes
262 1975 “1948–1975”

262 “1948–1975.” Pages [2–3] in New York City Ballet [souvenir program, 1975]. New York: Souvenir Book Publishers, 1975.

New York: Souvenir Book Publishers On Dance
Program and Other Notes
263 1975 “Hommage à Maurice Ravel: 1875–1975”

263 “Hommage à Maurice Ravel: 1875–1975.” Page [1] in New York City Ballet: Hommage à Ravel, 1875–1975 [souvenir program for the performances May 14–31, 1975]. New York: Souvenir Book Publishers, 1975.

New York: Souvenir Book Publishers On Dance
Program and Other Notes
264 1975 [Statement]

264 [Statement.] Page [2] in School of American Ballet Tenth Annual Workshop Performances, May 21, 1975 [announcement].

New York: School of American Ballet On Dance
Program and Other Notes
265 1975 “Evgenia Ouroussow Lehovich (1909–1975)”

265 “Evgenia Ouroussow Lehovich (1909–1975).” Pages [2–3] in The New York City Ballet Guild Presents the Tenth Annual Workshop Performances of the School of American Ballet: Wednesday, May 21, 1975 [program]. New York: School of American Ballet, 1975. Illustrated.

New York: School of American Ballet On Dance
Program and Other Notes
266 1975 “The Policy of a Ballet Company”

266 “The Policy of a Ballet Company.” Pages 3–4, 6, 9–10 in Playbill (New York State Theater issue, Nov. 11–30, 1975) [program]. New York: American Theatre Press, 1975. a. Reprinted, pages 121–126, in Ballet: Bias & Belief (83).

New York: American Theatre Press On Dance
Program and Other Notes
266a 1983 “The Policy of a Ballet Company”

266 “The Policy of a Ballet Company.” Pages 3–4, 6, 9–10 in Playbill (New York State Theater issue, Nov. 11–30, 1975) [program]. New York: American Theatre Press, 1975. a. Reprinted, pages 121–126, in Ballet: Bias & Belief (83).

[Brooklyn] New York: Dance Horizons On Dance
In Books
267 1976 “The School of American Ballet: 1934–1976”

267 “The School of American Ballet: 1934–1976.” Pages 6–7 in School of American Ballet [catalogue, 1976/1977].

New York: School of American Ballet On Dance
Program and Other Notes
268 1976 “Classic Ballet: Aria of the Aerial”

268 “Classic Ballet: Aria of the Aerial.” Pages 3–4, 6, 8–9 in Playbill (New York State Theater issue, April 27–May 11, 1976) [program]. New York: American Theatre Press, 1976. Illustrated. a. Reprinted (without illustrations), pages 28–31, in About the House 4:12 (Summer 1976). b. Reprinted, pages 228–243, in What is Dance? Readings in Theory and Criticism, edited by Roger Copeland and Marshall Cohen. Oxford and New York: Oxford University Press, 1983. c. Reprinted, pages 127–131, in Ballet: Bias & Belief (83). d. Reprinted as "Aria of the Aerial," pages [192]–197, in By With To & From (568).

New York: American Theatre Press On Dance
Program and Other Notes
268a 1976 “Classic Ballet: Aria of the Aerial”

268 “Classic Ballet: Aria of the Aerial.” Pages 3–4, 6, 8–9 in Playbill (New York State Theater issue, April 27–May 11, 1976) [program]. New York: American Theatre Press, 1976. Illustrated. a. Reprinted (without illustrations), pages 28–31, in About the House 4:12 (Summer 1976). b. Reprinted, pages 228–243, in What is Dance? Readings in Theory and Criticism, edited by Roger Copeland and Marshall Cohen. Oxford and New York: Oxford University Press, 1983. c. Reprinted, pages 127–131, in Ballet: Bias & Belief (83). d. Reprinted as "Aria of the Aerial," pages [192]–197, in By With To & From (568).

About the House On Dance
Program and Other Notes
268b 1983 “Classic Ballet: Aria of the Aerial”

268 “Classic Ballet: Aria of the Aerial.” Pages 3–4, 6, 8–9 in Playbill (New York State Theater issue, April 27–May 11, 1976) [program]. New York: American Theatre Press, 1976. Illustrated. a. Reprinted (without illustrations), pages 28–31, in About the House 4:12 (Summer 1976). b. Reprinted, pages 228–243, in What is Dance? Readings in Theory and Criticism, edited by Roger Copeland and Marshall Cohen. Oxford and New York: Oxford University Press, 1983. c. Reprinted, pages 127–131, in Ballet: Bias & Belief (83). d. Reprinted as "Aria of the Aerial," pages [192]–197, in By With To & From (568).

Oxford and New York: Oxford University Press On Dance
In Books
268c 1983 “Classic Ballet: Aria of the Aerial”

268 “Classic Ballet: Aria of the Aerial.” Pages 3–4, 6, 8–9 in Playbill (New York State Theater issue, April 27–May 11, 1976) [program]. New York: American Theatre Press, 1976. Illustrated. a. Reprinted (without illustrations), pages 28–31, in About the House 4:12 (Summer 1976). b. Reprinted, pages 228–243, in What is Dance? Readings in Theory and Criticism, edited by Roger Copeland and Marshall Cohen. Oxford and New York: Oxford University Press, 1983. c. Reprinted, pages 127–131, in Ballet: Bias & Belief (83). d. Reprinted as "Aria of the Aerial," pages [192]–197, in By With To & From (568).

[Brooklyn] New York: Dance Horizons On Dance
In Books
268d 1991 “Aria of the Aerial”

268 “Classic Ballet: Aria of the Aerial.” Pages 3–4, 6, 8–9 in Playbill (New York State Theater issue, April 27–May 11, 1976) [program]. New York: American Theatre Press, 1976. Illustrated. a. Reprinted (without illustrations), pages 28–31, in About the House 4:12 (Summer 1976). b. Reprinted, pages 228–243, in What is Dance? Readings in Theory and Criticism, edited by Roger Copeland and Marshall Cohen. Oxford and New York: Oxford University Press, 1983. c. Reprinted, pages 127–131, in Ballet: Bias & Belief (83). d. Reprinted as "Aria of the Aerial," pages [192]–197, in By With To & From (568).

New York: Farrar, Straus & Giroux On Dance
In Books
269 1976 “Union Jack”

269 “Union Jack.” Page [2] in New York City Ballet: A Gala Performance . . . May 12, 1976 [program]. a. Reprinted, pages 1, 3–4 (and variants), in Playbill (New York State Theater issue, May 13–June 27, 1976) [pro gram]. New York: American Theatre Press, 1976. Illustrated. b. Reprinted, pages 18–19, in Saratoga Performing Arts Center: Saratoga Festival 1976 [program]. Albany, New York: SPAC Sales, 1976.

New York: New York City Ballet On Dance
Program and Other Notes
269a 1976 “Union Jack”

269 “Union Jack.” Page [2] in New York City Ballet: A Gala Performance . . . May 12, 1976 [program]. a. Reprinted, pages 1, 3–4 (and variants), in Playbill (New York State Theater issue, May 13–June 27, 1976) [program]. New York: American Theatre Press, 1976. Illustrated. b. Reprinted, pages 18–19, in Saratoga Performing Arts Center: Saratoga Festival 1976 [program]. Albany, New York: SPAC Sales, 1976.

New York: American Theatre Press On Dance
Program and Other Notes
269b 1976 “Union Jack”

269 “Union Jack.” Page [2] in New York City Ballet: A Gala Performance . . . May 12, 1976 [program]. a. Reprinted, pages 1, 3–4 (and variants), in Playbill (New York State Theater issue, May 13–June 27, 1976) [program]. New York: American Theatre Press, 1976. Illustrated. b. Reprinted, pages 18–19, in Saratoga Performing Arts Center: Saratoga Festival 1976 [program]. Albany, New York: SPAC Sales, 1976.

Albany, New York: SPAC Sales On Dance
Program and Other Notes
270 1976 “Augustus Saint-Gaudens”

270 “Augustus Saint-Gaudens.” Page 9 in Playbill (New York State Theater issue, May 13–June 27, 1976) [program]. New York: American Theatre Press, 1976. Illustrated.

New York: American Theatre Press On Dance
Program and Other Notes
271 1976 “The School of American Ballet”

271 “The School of American Ballet.” Pages 3–4, 6 in Playbill (New York State Theater issue, Nov. 16–Dec. 12, 1976) [program]. New York: American Theatre Press, 1976. Illustrated.

New York: American Theatre Press On Dance
Program and Other Notes
272 1982 “Letters—from Lincoln Kirstein to Igor Stravinsky”; “Apollo: Orpheus: Agon”; “Notes”

272 “Letters—from Lincoln Kirstein to Igor Stravinsky”; “Apollo: Orpheus: Agon”; “Notes.” Pages 3; 7; 9–25 in New York City Ballet Stravinsky Centennial Celebration Souvenir Book. New York: New York City Ballet, 1982.

New York: New York City Ballet On Dance
Program and Other Notes
273 1988 “An Institution's Establishment and Maintenance: 1948–1988”

273 “An Institution's Establishment and Maintenance: 1948–1988.” Pages [2–5] in New York City Ballet 40th Anniversary Year Souvenir Book. New York: New York City Ballet, 1988.

New York: New York City Ballet On Dance
Program and Other Notes
274 1988 “Foreword”; “The Future”

274 “Foreword”; “The Future.” Pages 4–5; 27, in School of American Ballet [Catalogue, 1988/1989].

New York: School of American Ballet On Dance
Program and Other Notes
275 1991 “A New Production of The Sleeping Beauty

275 “A New Production of The Sleeping Beauty.” [Pages 63–67] in New York City Ballet 1991 Annual Spring Gala Souvenir Program. New York: New York City Ballet, 1991. a. Also in New York City Ballet 1991–1992 Souvenir Program.

New York: New York City Ballet On Dance
Program and Other Notes
275a 1991 “A New Production of The Sleeping Beauty

275 “A New Production of The Sleeping Beauty.” [Pages 63–67] in New York City Ballet 1991 Annual Spring Gala Souvenir Program. New York: New York City Ballet, 1991. a. Also in New York City Ballet 1991–1992 Souvenir Program.

New York: New York City Ballet On Dance
Program and Other Notes
276 1937 [Statement and notes]

276 [Statement and notes.] Pages [2–3] in Ballet Caravan Collaborators: Julien Levy Galleries, 15 East 57th Street, New York City—December 15 to December 31. New York: Julien Levy Galleries, [1937].

New York: Julien Levy Galleries On Dance
Exhibition Catalogues and Notes
277 1967 “Karinska: Fabergé of Costume”

277 “Karinska: Fabergé of Costume.” Pages [8–10] in The Library & Museum of the Performing Arts at Lincoln Center Presents an Exhibition of Costumes for Opera and Ballet by Karinska: The Amsterdam Gallery, February 7 through March 18, 1967. New York: New York Public Library at Lincoln Center, 1967.

New York: New York Public Library at Lincoln Center On Dance
Exhibition Catalogues and Notes
278 1970 What (Who?) Is a Fire (?) Bird (?)?”

278 “What (Who?) Is a Fire (?) Bird (?)?” Pages [26–28] in Firebird: Chagall/Karinska. An Exhibition of Ballet Costumes at the Library & Museum of the Performing Arts, The New York Public Library at Lincoln Center. New York: New York Public Library at Lincoln Center, [1970]. a. Reprinted, pages 163–171, in Costumes by Karinska by Toni Bentley with a foreword by Edward Gorey. New York: Harry N. Abrams, 1995. 192 pages. Illustrated..

New York: New York Public Library at Lincoln Center On Dance
Exhibition Catalogues and Notes
278a 1995 What (Who?) Is a Fire (?) Bird (?)?”

278 “What (Who?) Is a Fire (?) Bird (?)?” Pages [26–28] in Firebird: Chagall/Karinska. An Exhibition of Ballet Costumes at the Library & Museum of the Performing Arts, The New York Public Library at Lincoln Center. New York: New York Public Library at Lincoln Center, [1970]. a. Reprinted, pages 163–171, in Costumes by Karinska by Toni Bentley with a foreword by Edward Gorey. New York: Harry N. Abrams, 1995. 192 pages. Illustrated..

New York: Harry N. Abrams On Dance
In Books
279 1971 Dance In Sculpture: Vincent Astor Gallery, Library & Museum of the Performing Arts, The New York Public Library at Lincoln Center, February 1–April 30 1971

279 Dance In Sculpture: Vincent Astor Gallery, Library & Museum of the Performing Arts, The New York Public Library at Lincoln Center, February 1–April 30 1971. New York: New York Public Library at Lincoln Center, 1971. [16] pages. Illustrated.

New York: New York Public Library at Lincoln Center On Dance
Exhibition Catalogues and Notes
280 1973 [Statement]

280 [Statement.] Pages 2–3 in A Decade of Acquisitions: The Dance Collection 1964–1973; Vincent Astor Gallery & Dance Collection Reading Room, Performing Arts Research Center, The New York Public Library at Lincoln Center, April 9–June 2, 1973. New York: New York Public Library at Lincoln Center, 1973.

New York: New York Public Library at Lincoln Center On Dance
Exhibition Catalogues and Notes

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